pulling the feels…
pulling the feels…
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from 17 comments
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YOURS
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FUN
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how good a time it was
MEANINGFUL
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how much it moved you
Two separate readings, not parts of the score — the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 17 comments (11 from Metacritic, 6 from TMDB reviews) — 1 of them described how it moves.
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“El segundo problema es su final; mientras relataba lo que había hecho, sería mucho mejor que terminara con Casey escuchándolo todo al final. Era lo lógico y lo mejor, y no hacer más cosas de las que se intentó.”
BigP4pa · Metacritic ↗
Read 28 Aug 2026 · confidence 1% · too thin for a score · how this works
Published reviews, not felt experience — a different question from the one above, and never mixed into the FlickFeel score.
“This shrewd, smoothly tawdry thriller, directed by Billy Wilder, is one of the high points of nineteen-forties films. Barbara Stanwyck’s Phyllis Dietrichson—a platinum blonde who wears tight white sweaters, an anklet, and sleazy-kinky shoes—is perhaps the best acted and the most fixating of all the slutty, cold-blooded femmes fatales of the film-noir genre.”
Pauline Kael, The New Yorker · 100
“To describe the story is to miss the nuances that make it tantalizing.”
Roger Ebert, Chicago Sun-Times · 100
“Film noir is the most intoxicating of Hollywood cocktails, and none is more potent than Double Indemnity...It breaks the rules of filmmaking with breathtaking confidence and is all the more satisfying for”
Marc Lee, The Telegraph · 100
“Film noir at its finest, a template of the genre, etc. Billy Wilder in full swing, Barbara Stanwyck's finest hour, and Fred MacMurray makes a great chump.”
Rob Fraser, Empire · 100
“I love Double Indemnity because it's about a couple who are cheap and greedy, but achieve a kind of tragic heroism; because it has one of the great father-son relationships (although they aren't actually father and son); because it's a thoroughly cynical thriller redeemed by just a fading touch of romance. And it also has a trio of superb performances.”
Paul Howlett, The Guardian · 100
Scores from Metacritic and Rotten Tomatoes, read 28 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
“El segundo problema es su final; mientras relataba lo que había hecho, sería mucho mejor que terminara con Casey escuchándolo todo al final. Era lo lógico y lo mejor, y no hacer más cosas de las que se intentó.”
BigP4paabout 75–100% inread it ↗
“Spoiler free: Absolute classic and the peak of film noir in my opinion. Double Indemnity is a story of lust, greed, and pride with some of the best writing the genre has ever seen, which is why it’s a 10/10 for me. The dialogue is sharp and memorable, and the movie never wastes a moment. The performances and the dark atmosphere make the whole story even more gripping. It’s the kind of film where everything just works, and it’s still just as entertaining decades later.”
Usernameguy32read it ↗
“I ended up loving noir more as a genre than finding satisfaction in its paricular movies. Ambient and mood are always there, but narratively, noir movies are often shallow and way too obvious. Double Indemnity is one of rare exceptions. It keeps suspense all the time and doesn't feel dated.”
arathornread it ↗
“So enjoyable, greatly acted and written. Billy Wilder absolutely never dissapoints.”
AJ_13read it ↗
“It's definitely hard to pin down a personal favourite Wilder film, though I tend towards his earlier masterworks such as 'The Lost Weekend', 'Sunset Boulevard'...and THIS. He was one of the finest at getting straight through the bullshit and to the heart of all things noir (as the immortal Jean-Luc Godard stated, 'All I need to make a film is a man, a girl and a gun'). Barbara Stanwyck is one of my favourite actresses of the period, and is a classic 'femme fatale'. I've never been a huge fan”
talisencrwread it ↗
“A banner movie from film noir's classic era. Double Indemnity is directed by Billy Wilder and Wilder co-adapts the screenplay with Raymond Chandler from the novella written by James M. Cain. It stars Fred MacMurray, Barbara Stanwyck and Edward G. Robinson. Music is by Miklos Rozsa and cinematography by John F. Seitz. For a film lover such as myself it feels redundant writing a review for Double Indemnity, because quite simply there's nothing to say that hasn't been said already. The esteem”
John Chardread it ↗
“Very well done film noir from the 1940s with great performances by Fred MacMurray, Barbara Stanwyck and Edward G. Robinson along with good photography and direction from Billy Wilder. I've seen this one before but it's been at least 20 years though coincidentally, a scene from this was in a movie I recently watched (another re-watch) in Femme Fatale. **4.5/5**”
JPV852read it ↗
“**A magnificent "noir" with great actors, which was unlucky at the awards, and was immortalized by the public, surviving fresh to this day.** I've previously had the opportunity to mention that I really like noir films, and this is another one that I had the pleasure of seeing and will save for occasional rewatches. Based on a good detective novel, the film is extremely intelligent, dark and well articulated. Made in 1944, still during the Second World War, it was nominated the following year”
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Filipe Manuel Netoread it ↗