pulling the feels…
pulling the feels…
FLICKFEEL
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from 20 comments
COMMUNITY
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nobody yet
YOURS
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…
FUN
45
how good a time it was
MEANINGFUL
42
how much it moved you
Two separate readings, not parts of the score — the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 20 comments (14 from Metacritic, 6 from TMDB reviews) — 9 of them described how it moves.
Thin evidence — the shape below rests on 9 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
“the more drawn out dying, dying, dead finale”
katch22 · TMDB reviews ↗
“builds to a cleverly developed crescendo”
CinemaSerf · TMDB reviews ↗
“Overly static and talkative for its first act, almost 40 minutes is given to the staging of the incident, with most of it being inconsequential”
royalguy07 · Metacritic ↗
“one or two scenes such as the ending do fall flat”
kyle20ellis · Metacritic ↗
“movie started in uneven manner. It takes time to figure out what is happening”
akshatmahajan · Metacritic ↗
“the conclusion part was little bit confusing to understand”
akshatmahajan · Metacritic ↗
Read 28 Aug 2026 · confidence 24% · too thin for a score · how this works
Published reviews, not felt experience — a different question from the one above, and never mixed into the FlickFeel score.
“The thrills come in following a succession of dawnings in people's minds.But Mr. Hitchcock has presented this mental material on the screen with remarkable visual definition of developing intrigue and mood.”
Bosley Crowther, The New York Times · 90
“If the things here are homelier and less loved than, say, Marnie's neon yellow purse or Cary Grant's glowing glass of milk, and the film itself no one's idea of major Hitch, it remains a fascinating investigation of a stillborn process from one of cinema's most dedicated inquisitors of structure.”
B. Kite, Village Voice · 80
“The result is a rather stagey film whose back projections look quaint, with 3D apparently used to foreground items of furniture, such as table-lamps, giving rise to some eccentric camera-angles. But the set-up is ingenious and the "kill" scene genuinely thrilling. [2013 3D Release]”
Peter Bradshaw, The Guardian · 80
“Dial M is starred with fine scenes and good performances. Though played as contemporary melodrama, it somehow manages to reflect the gaslight magic of turn-of-the-century London.”
Staff (Not Credited), Time · 80
“Its trick is to generate considerable suspense while withholding nothing from the audience. Its pleasures are not profound ones, but there’s enough dimensionality up on the screen to compensate. [2013 3D Release]”
Guy Lodge, Time Out · 80
Scores from Metacritic and Rotten Tomatoes, read 28 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
“Overly static and talkative for its first act, almost 40 minutes is given to the staging of the incident, with most of it being inconsequential”
royalguy07about 0–33% inread it ↗
“one or two scenes such as the ending do fall flat”
kyle20ellisabout 75–100% inread it ↗
“movie started in uneven manner. It takes time to figure out what is happening”
akshatmahajanabout 0–15% inread it ↗
“the conclusion part was little bit confusing to understand”
akshatmahajanabout 75–100% inread it ↗
“the more drawn out dying, dying, dead finale”
katch22about 80–100% inread it ↗
“builds to a cleverly developed crescendo”
CinemaSerfabout 75–100% inread it ↗
“I used to consider this second-tier Hitchcock, but a re-watch proved to me just how excellent the script and directing were, as well as how stellar and underrated both Grace Kelly and Ray Milland tend to be, at least presently, three generations after the fact. The suspense is tied tighter than the proverbial drum. Needless to say, to this day, I never keep scissors on top of my desk anymore...”
talisencrwread it ↗
“No, I'm afraid my murders would be something like my bridge: I'd make some stupid mistake and never realize it until I found everybody was looking at me. Middle tier Hitchcock it may be, by his own admission, but it's still one of the finest mystery thrillers around. Ray Milland plays Tony Wendice, a former tennis player married to Grace Kelly's Margot, who is the source of his wealth. Fearing his lifestyle is about to come to an end due to her dalliances with American mystery writer, Mark H”
John Chardread it ↗
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