pulling the feels…
pulling the feels…
FLICKFEEL
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from 17 comments
COMMUNITY
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nobody yet
YOURS
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…
FUN
26
how good a time it was
MEANINGFUL
22
how much it moved you
Two separate readings, not parts of the score — the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 17 comments (17 from Metacritic) — 8 of them described how it moves.
Thin evidence — the shape below rests on 8 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
“the ending definitely didn’t match the quality of the rest of the film”
Micah_Lindgren · Metacritic ↗
“by the middle of the film you understand the main twist of the plot”
eva3si0n · Metacritic ↗
“the first hour of the movie was actually really interesting and very well done”
Meth-dude · Metacritic ↗
“the last half hour turns into a completely cliché, over the top and predictable action film”
Meth-dude · Metacritic ↗
“the ending is ludicrous and out of this world stupid. As the film progresses into the absurd, the tension vanishes and the film sputters into disappointment”
Spangle · Metacritic ↗
“The only redeeming factors are the tension and mystery that abound in the first third of the film”
Spangle · Metacritic ↗
Read 28 Aug 2026 · confidence 19% · too thin for a score · how this works
Published reviews, not felt experience — a different question from the one above, and never mixed into the FlickFeel score.
“A tense, concise and elegantly shot film.”
Mick LaSalle, San Francisco Chronicle · 100
“The movie's excellence comes from Foster's performance as a resourceful and brave woman; from Bean, Sarsgaard and the members of the cabin crew, all with varying degrees of doubt; from the screenplay by Peter A. Dowling and Billy Ray; and from the direction by Robert Schwentke.”
Roger Ebert, Chicago Sun-Times · 88
“For at least two-thirds of its length, all elements combine for a taut thriller, a Hitchcockian exercise in suspense pitting human frailty - can our minds be trusted? - against human resourcefulness.”
Chris Kaltenbach, Baltimore Sun · 88
“Far-fetched but deliciously exciting aerial nail-biter.”
William Arnold, Seattle Post-Intelligencer · 83
“Until those final moments, Flightplan succeeds admirably, both as a sophisticated psychological thriller and as an example of, if not great art, then superb craftsmanship.”
Ann Hornaday, Washington Post · 70
Scores from Metacritic and Rotten Tomatoes, read 28 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
“the ending definitely didn’t match the quality of the rest of the film”
Micah_Lindgrenabout 75–100% inread it ↗
“by the middle of the film you understand the main twist of the plot”
eva3si0nabout 33–66% inread it ↗
“the first hour of the movie was actually really interesting and very well done”
Meth-dudeabout 0–66% inread it ↗
“the last half hour turns into a completely cliché, over the top and predictable action film”
Meth-dudeabout 66–100% inread it ↗
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