pulling the feels…
pulling the feels…
FLICKFEEL
67
from 32 comments
COMMUNITY
—
nobody yet
YOURS
—
…
FUN
16
how good a time it was
MEANINGFUL
37
how much it moved you
Two separate readings, not parts of the score — the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 32 comments (29 from Metacritic, 3 from TMDB reviews) — 14 of them described how it moves.
Thin evidence — the shape below rests on 14 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
“The first half of the pic is all jocular with hormonal character introductions that come with giggly slices of humour”
John Chard · TMDB reviews ↗
“a great final act that is edge of the seat viewing”
John Chard · TMDB reviews ↗
“The movie's strong setup in the first act establishes both the stakes and Kale's emotional depth, making the story feel grounded despite its escalating tension”
RalphRahal · TMDB reviews ↗
“Ending was kind of mid”
Rtj · Metacritic ↗
“el final es satisfactorio”
soyjosenieves · Metacritic ↗
“the way that the main character and his love interest meet and interact early on in the film didn’t sit right with me”
Micah_Lindgren · Metacritic ↗
Read 26 Aug 2026 · confidence 80% · scored on the same 0-100 scale as a community score · how this works
Published reviews, not felt experience — a different question from the one above, and never mixed into the FlickFeel score.
“The Breakfast Club meets Rear Window. The result should satisfy dating crowds from high school to night school.”
Michael Sragow, Baltimore Sun · 83
“There's plenty to ensure fresh jolts for viewers who know Hitch's tricks inside out, to say nothing of young moviegoers who don't know Grace Kelly from Thelma Ritter.”
John DeFore, The Hollywood Reporter · 80
“One way you know that D.J. Caruso is a resourceful director is that he scares you silly with a minimum of violence and a few smears of blood. His job was certainly made easier by Morse, whose glassy demeanor and high, soft rasp suggests horrors that not even Quentin Tarantino could imagine.”
David Edelstein, New York Magazine (Vulture) · 80
“Cool stuff. Cool movie.”
Peter Travers, Rolling Stone · 75
“The bloody wrap-up isn't handled especially well, and I must confess that the most shocking thing about the movie was the casting of Carrie-Anne Moss as a suburban mom. I kept expecting her "Matrix" skills to show up in the final reel.”
Peter Rainer, Christian Science Monitor · 75
Scores from Metacritic and Rotten Tomatoes, read 26 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
“Ending was kind of mid”
Rtjabout 85–100% inread it ↗
“el final es satisfactorio”
soyjosenievesabout 75–100% inread it ↗
“the way that the main character and his love interest meet and interact early on in the film didn’t sit right with me”
Micah_Lindgrenabout 0–33% inread it ↗
“The movie's strong setup in the first act establishes both the stakes and Kale's emotional depth, making the story feel grounded despite its escalating tension”
ralphrahalabout 0–33% inread it ↗
“The first half of the pic is all jocular with hormonal character introductions that come with giggly slices of humour”
John Chardabout 0–50% inread it ↗
“a great final act that is edge of the seat viewing”
John Chardabout 75–100% inread it ↗
“The movie's strong setup in the first act establishes both the stakes and Kale's emotional depth, making the story feel grounded despite its escalating tension”
RalphRahalabout 0–33% inread it ↗
“**_Shia LaBeouf in a Rear Window-like thriller_** Five months shy of 18 years-old, a teen in suburbia (LaBeouf) finds himself under house arrest but, thankfully, an attractive new girl moves in next door (Sarah Roemer) to stir his interest. He starts to suspect that a neighbor might be a notorious serial killer (David Morse). Carrie-Anne Moss is on hand as his mother. "Disturbia" (2007) has a set-up similar to Hitchcock’s “Rear Window” and later imitations, such as “Fright Night” and “Abo”
Wuchakread it ↗
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