pulling the feels…
pulling the feels…
FLICKFEEL
54
from 70 comments
COMMUNITY
—
nobody yet
YOURS
—
…
FUN
0
how good a time it was
MEANINGFUL
30
how much it moved you
Two separate readings, not parts of the score — the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 70 comments (35 from Metacritic, 30 from Reddit, 5 from TMDB reviews) — 8 of them described how it moves.
Thin evidence — the shape below rests on 8 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
“the disappointment kept growing as the story unfolded”
chriss17eu · Metacritic ↗
“The film is a bit long”
HellHoleHorror · Metacritic ↗
“I did lose interest before the end”
HellHoleHorror · Metacritic ↗
“I absolutely hate the ham-fisted love story between Dracula and Mina, who in this film is the reincarnation of his long-dead wife. I hate every moment of it and I want to slap whoever it was who thought that it was a good idea to shove it into a film that didn’t need it whatsoever.”
Rondyr · Metacritic ↗
“When proffessor van Helsing gets introduced, the movie gets better.”
Ariuscc · Metacritic ↗
“a very well made last hour”
Meth-dude · Metacritic ↗
Read 25 Aug 2026 · confidence 67% · scored on the same 0-100 scale as a community score · how this works
Published reviews, not felt experience — a different question from the one above, and never mixed into the FlickFeel score.
“Indeed, it is a uniquely dreamlike, lushly romantic, highly erotic and prototypically Coppolaesque version of the story - a movie that does for the vampire genre what "The Godfather" did for the gangster saga, and what "Apocalypse Now" did for the war movie: raises it to the level of grand opera. [13 Nov 1992, p.5]”
William Arnold, Seattle Post-Intelligencer · 100
“Francis Ford Coppola's lavish version of Bram Stoker's classic novel is a visual cornucopia, overstuffed with images of both beauty and grotesque horror.”
Staff (Not Credited), TV Guide Magazine · 88
“This Dracula isn’t from Coppola’s great 70s/80s period, but it has a melodramatic and operatic energy and draws on the look and feel of Hollywood’s pre-Code salaciousness and the silent movie madness of Nosferatu – though the expressionist shadows are blood-red, not black.”
Peter Bradshaw, The Guardian · 80
“Interestingly, Coppola has eschewed state-of-the-art special effects in favor of a panoply of archaic film-school tricks -- reversing the film, multiple exposures, playing with the shutter speed -- that give his Dracula a stylized, almost hyper-real clarity and a wonderfully singular weirdness.”
Marc Savlov, Austin Chronicle · 78
“Oldman and Ryder and Hopkins pant with eagerness. The movie is an exercise in feverish excess, and for that if for little else, I enjoyed it.”
Roger Ebert, Chicago Sun-Times · 75
Scores from Metacritic and Rotten Tomatoes, read 25 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
“the last episode was a letdown”
jhparee1990about 75–100% inread it ↗
“The title says "Bram Stoker's Dracula" which is pretty much the first lie Coppola lobs at viewers of this thing. I'm pretty sure Bram Stoker had never considered a romantic love story between Dracula and his re-incarnated love, which is actually a plot point from the Boris Karloff Mummy movie, not Stoker's Dracula.”
MovieMike007▲ 20read it ↗
“I have such conflicting emotions about this movie. As a fan of the novel it is both faithful (when it wants to be, and in the smallest, most inconsequential of things) and yet completely disregards the source material (in rather broad strokes) all at the same time. Which makes me not really enjoy it as an adaptation but adore it as an interpolation. It takes these interesting ideas and concepts and expands on them in such strange ways, but it is absolutely not the novel put to screen. To me”
psychobilly1▲ 9read it ↗
“I used to love the 1992 Dracula I had seen it when I was younger and didn’t have the experience of reading the book to compare it to. I recently read (listened to the audiobook) Bram Stoker’s Dracula and when I finished I went and rewatched them movie for the first time in years. First off the movie itself was terrible this time around in my opinion and secondly it doesn’t hold true to the book in many places and adds to it in many where it wasn’t needed. The castings were some of the parts that”
ExtensionFar1708▲ 8read it ↗
“the disappointment kept growing as the story unfolded”
chriss17euabout 0–100% inread it ↗
“The film is a bit long”
HellHoleHorrorabout 0–100% inread it ↗
“I did lose interest before the end”
HellHoleHorrorabout 75–100% inread it ↗
“I absolutely hate the ham-fisted love story between Dracula and Mina, who in this film is the reincarnation of his long-dead wife. I hate every moment of it and I want to slap whoever it was who thought that it was a good idea to shove it into a film that didn’t need it whatsoever.”
Rondyrabout 0–100% inread it ↗
“This Seductive, Thrilling, love story has some Bite! Based from the book and is a true masterpiece. Gary Oldman plays Dracula and simply makes this movie. His obsession with Winona Ryder characters is relentless and heart chilling. Don't worry Keanu Reeves doesn't ruin it, he actually did a great job. Anthony Hopkins plays the role of Dr. Van Helsing. We all know his story now thanks to Hugh Jackman. Some brief nudity and a HOT scene with Winona as she runs though the garden in her PJ's. Not onl”
J4stringthangread it ↗
“The script is an unevenly good adaptation of the novel. It resolves better Dracula's aims and motivations through the love story. Also, it provides a more understandable glue to join the 4 men chasing Dracula from a XXth century point of view and removes unimportant characters having a more "round" story. However, due to some changes certain parts are now incoherent since they were not properly adapted to the other changes. In addition, other parts are totally impossible to follow due to the”
Andres Gomezread it ↗
“Although it certainly won't make you easily forget earlier interpretations of the seminal horrific character by Max Schreck, Bela Lugosi, Sir Christopher Lee or Klaus Kinski, Gary Oldman definitely finds a way under your skin. As well, the resoundingly sumptuous cinematography will sweep you off your feet--unless you're dead to begin with... =)”
talisencrwread it ↗
“Gets worse on repeat viewings. Francis Ford Coppola's take on the Dracula legend sees Gary Oldman as the Count, who as a warrior prince returns from battle to find his true love, who after believing him to have been killed, has committed suicide. Renouncing his Christianity he pledges to return from the death to enact revenge on humanity. Century's later he is back to keep his word but becomes infatuated with Mina (Winona Ryder) who bears a resemblance to his long dead true love. Forget t”
no tags yet — rate this flick to drop some vibes ✨
John Chardread it ↗