pulling the feelsβ¦
pulling the feelsβ¦
FLICKFEEL
51
from 111 comments
COMMUNITY
β
nobody yet
YOURS
β
β¦
FUN
0
how good a time it was
MEANINGFUL
30
how much it moved you
Two separate readings, not parts of the score β the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 111 comments (100 from Reddit, 6 from Metacritic, 5 from TMDB reviews) β 17 of them described how it moves.
Thin evidence β the shape below rests on 17 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
βdidn't quite get me all excited with how it resolvedβ
Cushions Β· Reddit β
βit does get a little repetitive as we are introduced to all the charactersβ
left_shark_01 Β· Reddit β
βIt was so...still. The stakes didn't feel like they were being raisedβ
ChameleonTwist Β· Reddit β
βI thought the reveal was a blatant example of a twist for the sake of a twistβ
ChameleonTwist Β· Reddit β
βits pretty slow pacedβ
TC14ismyWaifu Β· Reddit β
βI didnβt once feel boredβ
bob1689321 Β· Reddit β
Read 25 Aug 2026 Β· confidence 100% Β· scored on the same 0-100 scale as a community score Β· how this works
Published reviews, not felt experience β a different question from the one above, and never mixed into the FlickFeel score.
βLike the lovely, extravagantly overemphasized nineteen-thirties' costumes and production designed by Tony Walton, Murder on the Orient Express is much less a literal re-creation of a type of thirties movie than an elaborate and witty tribute that never for a moment condescends to the subject.β
Vincent Canby, The New York Times Β· 90
βNo matter how good the performer you canβt escape Christieβs leisurely approach to characterisation β simple concoctions of quirk, guilt and red herring. But Lumet is having loads of credible fun with the formula, keeping up a genuine sense of claustrophobia in this isolated railway car surrounded by crisp white snow.β
Ian Nathan, Empire Β· 80
βMurder on the Orient Express is a splendidly entertaining movie of the sort that isnβt made anymore: Itβs a classical whodunit, with all the clues planted and all of them visible, and itβs peopled with a large and expensive collection of stars.β
Roger Ebert, Chicago Sun-Times Β· 75
βElegant and stylish in the best Agatha Christie tradition--a thoroughly entertaining if poky whodunit.β
Staff (Not Credited), TV Guide Magazine Β· 75
βThis all-star version of an Agatha Christie antiquity promises to be a sumptuous spread, and so it is, but not as tasty as one had hoped.β
Pauline Kael, The New Yorker Β· 60
Scores from Metacritic and Rotten Tomatoes, read 24 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
βdidn't quite get me all excited with how it resolvedβ
Cushionsβ² 108about 75β100% inread it β
βit does get a little repetitive as we are introduced to all the charactersβ
left_shark_01β² 36about 0β33% inread it β
βIt was so...still. The stakes didn't feel like they were being raisedβ
ChameleonTwistβ² 25about 0β100% inread it β
βI thought the reveal was a blatant example of a twist for the sake of a twistβ
ChameleonTwistβ² 25about 80β100% inread it β
βThe twist in this definitely threw me, but it was one of those where β the more I thought on it (and especially the resolution) β the queasier I felt.β
Compi24about 75β100% inread it β
βit loosens a little towards the endβ
alejandro970about 75β100% inread it β
βOne of the most fun who dun it murder mysteries ever made, but unfortunately, it's so famous and well known it's unlikely that you will be able to go in blind, but if you are, it is so worth doing so and trying to solve it yourselfβ
BleedingJesterread it β
βReasonably good adaption with good performances and script though its quite TVish.β
Tyranianread it β
βFound the ending out of character for Hercule Poirotβ
daniel_carrabout 75β100% inread it β
βI have always loved this story and was looking forward to seeing this adaptation but afraid it was going to be Branagh'd, especially when finding out he was playing Poirot himself and cast Johnny Depp as Ratchett. When a director wants to put their own stamp on something, they usually screw it up. Branagh dipped both of his shoes in poop (symmetrical, yes?) before stamping Christie's work. Let the story take the film where it needs to be. CGI is not where it wants to be. There's nothing wronβ
frankbamaread it β
β**An effort worthy of merit, but which did not result in a really good work.** Kenneth Branagh is one of those actors/directors who doesn't seem to be afraid of a challenge, and I respect him for that, even if his choices aren't always the wisest. Bringing the greatest book of Agatha Christie's work to the cinema is a considerable challenge, not only given the richness of the material and characters, but also taking into account the relevance of the work and the admirers who remain faithful tβ
Filipe Manuel Netoread it β
βI am a great fan of Agatha Christie in general and Hercule Poirot in particular. When yet another remake of Murder on the Orient express came out I was somewhat hesitant. After all, the one with David Suchet was perfect. I guess I was right to be hesitant. This is another one of those remakes where you just wonderβ¦why? As a movie it is not too bad but as a Hercule Poirot movie, the classical Murder on the Orient Express no less, it is like buying a piece of prime filet of beef and discoveringβ
no tags yet β rate this flick to drop some vibes β¨
Dark Jediread it β