Ouija: Origin of Evil

“Equal parts horror masterclass and internal home-invasion thriller, “Ouija” is as chilling and nerve-racking as they come. It’s a sort of cinematic heart attack — irreparably damaging to the body and mind, with a slow recovery time.”

Sam Fragoso, TheWrap · 90

“Infused with psychological complexity and nuanced characterizations, Ouija: Origin of Evil falters only in the final section.”

Frank Scheck, The Hollywood Reporter · 80

“If anything, the movie's third act is the only thing that feels a bit a disappointing. The plot is carefully constructed, the performances are rich (both girls are excellent), the characters are believable and a sense of dread grows throughout. Heck, the movie is even great to look at, with its period sheen and slightly muted colors.”

Randy Cordova, Arizona Republic · 80

“The director, Mike Flanagan, who with Jeff Howard also wrote the script, demonstrates rare patience for horror fare as he builds toward the macabre.”

Neil Genzlinger, The New York Times · 80

““Ouija” is genuinely frightening and smart, the rare horror prequel able to stand on its own merits and deliver a full-bodied story that succeeds without any previous knowledge or trappings. However, in outfitting this particular haunted house with monsters to spare, Flanagan loses the thread of what’s really scary: Everything we can’t see.”

Kate Erbland, IndieWire · 75