pulling the feels…
pulling the feels…
FLICKFEEL
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from 16 comments
COMMUNITY
—
nobody yet
YOURS
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…
FUN
36
how good a time it was
MEANINGFUL
47
how much it moved you
Two separate readings, not parts of the score — the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 16 comments (10 from Metacritic, 6 from TMDB reviews) — 5 of them described how it moves.
Thin evidence — the shape below rests on 5 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
“Полчаса любовался милой Жоан Фонтейн и благородным Лоуренсом Оливье”
Archvile-UT · Metacritic ↗
“час чувствовал себя неуютно”
Archvile-UT · Metacritic ↗
“потом начал скучать”
Archvile-UT · Metacritic ↗
“последние 30 минут офигевал от твистов”
Archvile-UT · Metacritic ↗
“a high-tension exploration of how a dead woman’s memory can create a "stagnant" prison for the living. This experience **** the fourth wall of domestic mystery by infusing the "vivid" atmosphere of Manderley with a rebellious and rhythmic energy that felt 100% suffocating.”
famfacat · Metacritic ↗
“fun, twisty last 30 minutes”
royalguy07 · Metacritic ↗
Read 28 Aug 2026 · confidence 9% · too thin for a score · how this works
Published reviews, not felt experience — a different question from the one above, and never mixed into the FlickFeel score.
“The suspense of the story is magnificently sustained throughout the film, which didn't surprise us, as maintaining suspense in a story has always been Director Hitchcock's forte”
Kate Cameron, New York Daily News · 100
“A key film in Alfred Hitchcock’s evolution as a master explorer of sexual neuroses.”
Chuck Bowen, Slant Magazine · 100
“Perhaps without the shock and suspense of subsequent work, this is nevertheless another undoubted masterpiece from the atmospheric film maker, and just as essential.”
Patrick Humphries, Empire · 100
“Despite Hitch's discomfort at the iron hand of producer David Selznick, it remains one of his best-loved works. [23 Dec 2011, p.C10]”
Staff (Not Credited), Chicago Tribune · 100
“An altogether brilliant film, haunting, suspenseful, handsome and handsomely played.”
Frank S. Nugent, The New York Times · 90
Scores from Metacritic and Rotten Tomatoes, read 28 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
“A good movie and interesting plot but the characters are a little bit exaggerated and the outcome is quite expectable.”
Andres Gomezread it ↗
“Absolutely perfect Gothic Thriller that has many imitators but few of equal quality. With "Rebecca" about to hit the Broadway stage (as a musical!), I thought it was time to write my review of perhaps my favorite Hitchcock film. I recall the first time I saw this on TV almost 30 years ago on the late show, I had set my VCR to tape it, but woke up to start watching a bit of it, and stayed up all night to watch it all. That's how good a film it is. Daphne Du Maurier's tale of a shy companion wh”
waltzmaread it ↗
“Do you think the dead come back and watch the living? Rebecca is directed by Alfred Hitchcock and adapted to screen play from the Daphne du Maurier novel of the same name. It stars Laurence Olvier, Joan Fontaine and Judith Anderson. Cinematography is by George Barnes and music scored by Franz Waxman. After meeting and marrying 'Maxim' de Winter (Olivier), the Second Mrs. de Winter (Fontaine), finds life at his English estate, Manderley, far from comfortable because the servants and the h”
John Chardread it ↗
“We saw this quite recently on the big screen at Somerset House in London. One of those outdoor screenings - and the fact that it poured with rain on hundreds of us didn't matter one jot (though the hampers got quite sodden). Olivier and the eerily stupendous Judith Anderson provide the ultimate in sophisticated horror partnerships and make this by far my favourite Hitchcock film. Joan Fontaine is an expert at conveying the naive, adoring vulnerability of the second "Mrs. de Winter", combatting a”
no tags yet — rate this flick to drop some vibes ✨
CinemaSerfread it ↗