pulling the feelsβ¦
pulling the feelsβ¦
FLICKFEEL
76
from 35 comments
COMMUNITY
β
nobody yet
YOURS
β
β¦
FUN
40
how good a time it was
MEANINGFUL
0
how much it moved you
Two separate readings, not parts of the score β the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 35 comments (31 from Metacritic, 4 from TMDB reviews) β 5 of them described how it moves.
Thin evidence β the shape below rests on 5 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
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βthe strong first halfβ
RatedRex Β· Metacritic β
βThe film is a little longβ
kyle20ellis Β· Metacritic β
βIf you havenβt felt like throwing up by the halfwayβ
KenR Β· Metacritic β
βthe film does lose a little momentum, and packs a bit less punch in the final twenty minutesβ
Halfwelshman Β· Metacritic β
βin the end, Chicago is still a miraculously vapid movie underneath it all, and that, in the end, makes it boring when it's not beltingβ
J-Shap Β· Metacritic β
Read 28 Aug 2026 Β· confidence 36% Β· scored on the same 0-100 scale as a community score Β· how this works
Published reviews, not felt experience β a different question from the one above, and never mixed into the FlickFeel score.
βThe singing and dancing in this Chicago are uniformly splendid, right down to Gere's tap dancing. The high wit and dark eroticism Marshall brings to the famous "Cell Block Tango" number are matchless.β
Bill Gallo, Dallas Observer Β· 100
βWith its eye-popping color, bold personality and snazzy tunes, Chicago is a breathtaking experience.β
Kim Morgan, Portland Oregonian Β· 100
βChicago is the zingiest, most inventive movie of its kind since "Cabaret."β
Michael Sragow, Baltimore Sun Β· 100
βIsn't just the most explosively entertaining movie musical in a couple of decades. It's going to be the most influential: the one that inspires the rebirth of the Hollywood musical.β
David Edelstein, Slate Β· 100
βA superior adaptation that bypasses the Ann Reinking version now on Broadway.β
Stephen Hunter, Washington Post Β· 100
Scores from Metacritic and Rotten Tomatoes, read 28 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
βthe strong first halfβ
RatedRexabout 0β50% inread it β
βThe film is a little longβ
kyle20ellisabout 75β100% inread it β
βIf you havenβt felt like throwing up by the halfwayβ
KenRabout 50β100% inread it β
βthe film does lose a little momentum, and packs a bit less punch in the final twenty minutesβ
Halfwelshmanabout 80β100% inread it β
β**_Beautiful women frolicking around in showgirl costumes_** In mid-20s' Chicago Velma Kelly (Catherine Zeta-Jones) and Roxie Hart (RenΓ©e Zellweger) find themselves on death row for murdering their lovers and fan the fame that will keep them from the gallows with the assistance of a slick lawyer (Richard Gere). John C. Reilly plays Roxie's likable but dimwitted husband while Latifah is on hand as the avaricious prison matron. People criticize this amusing satirical musical for being sleazyβ
Wuchakread it β
no tags yet β rate this flick to drop some vibes β¨