pulling the feelsβ¦
pulling the feelsβ¦
FLICKFEEL
β
from 19 comments
COMMUNITY
β
nobody yet
YOURS
β
β¦
FUN
47
how good a time it was
MEANINGFUL
15
how much it moved you
Two separate readings, not parts of the score β the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 19 comments (15 from Metacritic, 4 from TMDB reviews) β 4 of them described how it moves.
Thin evidence β the shape below rests on 4 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
βA bit long-windedβ
r96sk Β· TMDB reviews β
βRupert actually had a really good performance at the end of the movieβ
RowanC3 Β· Metacritic β
βstarts quietlyβ
NickTheCritick Β· Metacritic β
βends up being fun and with a nice endingβ
NickTheCritick Β· Metacritic β
βAnd this is what the first half of the director Martin Scorsese's ambitious and controversial project runs on.β
amheretojudge Β· Metacritic β
Read 28 Aug 2026 Β· confidence 12% Β· too thin for a score Β· how this works
Published reviews, not felt experience β a different question from the one above, and never mixed into the FlickFeel score.
βDe Niro gives a miraculous character performance, much different from the intense brooding loners for which he is renowned. He seems to disappear into this oddball, somewhat repulsive, but ultimately rather touching character. Sandra Bernhard, in her film debut, is nearly as memorable as Rupert's outrageous partner in crime.β
Staff (Not Credited), TV Guide Magazine Β· 100
βThis film about the cult of celebrity in America strikes me as a uniquely intelligent ironic masterpiece β though, witty as it is, it isnβt a comedy, despite what the title and the casting of Jerry Lewis might lead you to expect.β
Philip Horne, The Telegraph Β· 100
βThe King of Comedy, which Film Forum is presenting in a new 4K restoration for a week-long run, brilliantly keeps viewers unmoored, the result of its consistently off-kilter tone. Though filled with sight gags and corny jokes, the movie is also darkened by genuine menace.β
Melissa Anderson, Village Voice Β· 90
βScorsese infuses this tale with the passionate energy of New York street life and wonder at the powerful workings of show business and studio craft. Yet his main subject is the ineffable factor of genius, which Jerry has, Rupert lacks, and no desire or effort can replace.β
Richard Brody, The New Yorker Β· 90
βIt would be difficult to describe Martin Scorsese's fine new film, The King of Comedy, as an absolute joy. It's very funny, and it ends on a high note that was, for me, both a total surprise and completely satisfying. Yet it's also bristly, sometimes manic to the edge of lunacy and, along the way, terrifying.β
Vincent Canby, The New York Times Β· 90
Scores from Metacritic and Rotten Tomatoes, read 28 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
βRupert actually had a really good performance at the end of the movieβ
RowanC3about 75β100% inread it β
βstarts quietlyβ
NickTheCritickabout 0β33% inread it β
βends up being fun and with a nice endingβ
NickTheCritickabout 75β100% inread it β
βAnd this is what the first half of the director Martin Scorsese's ambitious and controversial project runs on.β
amheretojudgeabout 0β50% inread it β
βA bit long-windedβ
r96skabout 0β100% inread it β
β**De Niro as yet another deluded psycho** De Niro is Rupert Pitkin, a comedian who seeks to be as famous as his hero, Jerry Lewis. Pupkin could be Travis Bickle's equally disturbed brother - both of them living in New York and both of them losing their minds in unison. After much rejection, the crazed Pupkin decides to kidnap his hero and hold him for ransom until a studio gives him a big break. Jerry Lewis is impressive as the total bastard that Pupkin so admires. A disturbing movie thβ
Ian Bealeread it β
βMartin Scorsese's THE KING OF COMEDY was the lowest-grossing major studio film of 1982. It isn't difficult to see why: It's loaded with uncomfortable situations; there is no obvious protagonist; no sympathetic characters (the one that could potentially get our sympathy turns out to be a thief); and everyone is grating and/or unpleasant (even Tony Randall plays πππ’π¨ππ‘π as a demanding prick). This lack of popularity was the audience's loss, as Paul Zimmerman graced Scorsese with a screenplaβ
adorablepanicread it β
βRobert De Niro is great in this enjoyable comedy about the aspiring comedian "Pupkin" who is prepared to go to great lengths to get his moment in the sun. To that end he doorsteps acclaimed chat-show host "Jerry" (the entirely convincing Jerry Lewis) and, not exactly lacking in self-confidence, convinces him to listen to his material. Anything for a peaceable life thinks the star and agrees clearly just to be rid of the man. "Pupkin", though, isn't so easily deterred and what ensues now are a raβ
no tags yet β rate this flick to drop some vibes β¨
CinemaSerfread it β