pulling the feels…
pulling the feels…
FLICKFEEL
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from 23 comments
COMMUNITY
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nobody yet
YOURS
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…
FUN
0
how good a time it was
MEANINGFUL
0
how much it moved you
Two separate readings, not parts of the score — the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 23 comments (18 from Metacritic, 3 from Reddit, 2 from TMDB reviews) — 3 of them described how it moves.
Thin evidence — the shape below rests on 3 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
“So laughably ridiculous from beginning to end”
morovian · Metacritic ↗
“I had to force myself to endure the whole thing”
morovian · Metacritic ↗
“some time that it feels more of like Kundun movie rather than Heinrich”
Habibiehakim · Metacritic ↗
“At first, I thought I was in for a Hollywood slog of a film where it was going to just go "through the motions"”
Gamzguy17 · Metacritic ↗
Read 28 Aug 2026 · confidence 10% · too thin for a score · how this works
Published reviews, not felt experience — a different question from the one above, and never mixed into the FlickFeel score.
“This moving story is full of breathtaking compositions, gorgeous spectacle, and inspiring philosophies articulated by sympathetic figures.”
Lisa Alspector, Chicago Reader · 80
“Annaud (The Lover, The Name of the Rose, Quest for Fire) may be, with all due respect to Stanley Kubrick, the most talented adapter of literary source material in recent film history. Seven Years confirms his mastery by doling out a perfect ratio of moving interpersonal drama and visual enchantment.”
Russell Smith, Austin Chronicle · 78
“The movie is a star vehicle at heart, aimed more at marketing Pitt's popularity than probing complexities of empire-building and cultural clash that trouble the Tibetan region to this day.”
David Sterritt, Christian Science Monitor · 75
“Beyond his struggles with an unwieldy accent and the screenplay's hokum, Mr. Pitt gives a sincere if labored performance enhanced by a sense of genuine struggle.”
Janet Maslin, The New York Times · 70
“French director Jean-Jacques Annaud, who brought his interest in self-discovery and untamed places to Quest for Fire, The Lover, and the IMAX 3-D film Wings of Courage, is at his best re-creating the serene exoticism of the Dalai Lama's Tibet. But the spark of the holy that the Dalai Lama lights in Harrer flickers only fitfully in all the wind in this production.”
Lisa Schwarzbaum, Entertainment Weekly · 67
Scores from Metacritic and Rotten Tomatoes, read 28 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
“Neat film, *great* John Williams score, probably his most underrated main theme. I'm pretty sure Brad Pitt is still banned in China for starring in it.”
Shoddy_Newspaper_718▲ 2read it ↗
“I saw it in the theater opening weekend. There weren’t that many people there, but I enjoyed it, especially the John Williams score.”
tomandshell▲ 2read it ↗
“So laughably ridiculous from beginning to end”
morovianabout 0–100% inread it ↗
“I had to force myself to endure the whole thing”
morovianabout 0–100% inread it ↗
“some time that it feels more of like Kundun movie rather than Heinrich”
Habibiehakimabout 33–66% inread it ↗
“At first, I thought I was in for a Hollywood slog of a film where it was going to just go "through the motions"”
Gamzguy17about 0–33% inread it ↗
no tags yet — rate this flick to drop some vibes ✨