pulling the feels…
pulling the feels…
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 115 comments (104 from Reddit, 10 from Metacritic, 1 from TMDB reviews) — 50 of them described how it moves.
➖ steady — Holds one level all the way. Hard going most of the way through. It tightens hardest in the last stretch. Marked above the line: 1 moment that made people jump, 1 that landed as a blow, 1 that got a real laugh.
Hover the curveDrag across the curve to see what people said at any point.
“about halfway through the gimmick felt like it had played its part of the novelty wore off”
Airtamis · Reddit ↗
“A lot of scenes are dragged out by annoying slow-mo and rehashing the same points over and over again”
Selaznog_Sicnarf · Reddit ↗
“Also the ending jumping decades into the future is one of the weirdest choices I've seen in a long time.”
Selaznog_Sicnarf · Reddit ↗
“The lack of dialogue made the characters way too simple where it was boring”
JessieJ577 · Reddit ↗
“the couple that left about half an hour in”
pgherg1 · Reddit ↗
“How do you make a dialogueless action movie boring as shit?”
SpookingtonZ · Reddit ↗
Read 24 Aug 2026 · confidence 100% · scored on the same 0-100 scale as a community score · how this works
Published reviews, not felt experience — a different question from the one above, and never mixed into the FlickFeel score.
“The action scenes and kills are bloody, and the performances and muscles are big. After Amazon’s “Reacher,” consider “Motor City” another showcase for the above-the-title billed Alan Ritchson as a credible, cinematic leading man.”
Ankit Jhunjhunwala, The Playlist · 91
“When “Motor City” lays off the jukebox approach and lets score composer Steve Jablonsky take the lead with his rumbling, shimmering synth work, the movie is intoxicating and unstoppable.”
Matt Zoller Seitz, RogerEbert.com · 88
“Not every action movie should be this sparse. A sprawling spy thriller has different storytelling obligations than a lean revenge flick, and exposition is an essential tool when it's used well. But Motor City arrives as a welcome reminder that there are still other ways to tell an action story. Sometimes the most satisfying thing a movie can do is simply trust you to watch.”
Terry Terrones, Polygon · 85
“Motor City, as its best, qualifies as a true immersive cinematic experience. It’s a movie almost entirely without words, but it speaks.”
Owen Gleiberman, Variety · 80
“Sure, the “no dialogue” thing is a gimmick. And sure, it’s the most generic script you can imagine. But Motor City takes those bare bones and makes them beefy.”
Richard Whittaker, Austin Chronicle · 78
Scores from Metacritic and Rotten Tomatoes, read 24 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
“about halfway through the gimmick felt like it had played its part of the novelty wore off”
Airtamis▲ 80about 50–100% inread it ↗
“A lot of scenes are dragged out by annoying slow-mo and rehashing the same points over and over again”
Selaznog_Sicnarf▲ 76about 0–100% inread it ↗
“Also the ending jumping decades into the future is one of the weirdest choices I've seen in a long time.”
Selaznog_Sicnarf▲ 76about 80–100% inread it ↗
“The lack of dialogue made the characters way too simple where it was boring”
JessieJ577▲ 59about 0–100% inread it ↗
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