pulling the feelsβ¦
pulling the feelsβ¦
FLICKFEEL
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from 17 comments
COMMUNITY
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nobody yet
YOURS
β
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FUN
20
how good a time it was
MEANINGFUL
35
how much it moved you
Two separate readings, not parts of the score β the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 17 comments (15 from Metacritic, 2 from TMDB reviews) β 3 of them described how it moves.
Thin evidence β the shape below rests on 3 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
βthe first two hours of the film are spent delving into the background of Kennedy's death and setting up the plausibility of the "alternative" scenarioβ
wizzardss Β· TMDB reviews β
βThe end is touchingβ
gracjanski Β· Metacritic β
βThis movie is too longβ
MarkTakayama Β· Metacritic β
Read 28 Aug 2026 Β· confidence 6% Β· too thin for a score Β· how this works
Published reviews, not felt experience β a different question from the one above, and never mixed into the FlickFeel score.
βStone and his editors, Joe Hutshing and Pietro Scalia, have somehow triumphed over the tumult of material here and made it work - made it grip and disturb us.β
Roger Ebert, Chicago Sun-Times Β· 100
βDirector Oliver Stone has fashioned in JFK a riveting, dramatic and disturbing look at one of the great whodunits of history. [20 Dec 1991]β
Peter Stack, San Francisco Chronicle Β· 100
βIf history is a battlefield, JFK has to be seen as a bold attempt to seize the turf for future debate. It is also "just" a movie, and one that for three hours and eight minutes of dense, almost dizzying detail, is capable of holding the audience rapt in its grip. [23 Dec 1991, p.50]β
David Ansen, Newsweek Β· 100
β[Stone's] filmmaking is so supple and alive, his obsession with the visual aspect of history so electrifying, that JFK practically roots itself in your imagination.β
Owen Gleiberman, Entertainment Weekly Β· 91
βThrough his art and passion, Stone makes JFK plausible, and turns his thesis of a coup d'etat into fodder for renewed debate.β
Richard Corliss, Time Β· 90
Scores from Metacritic and Rotten Tomatoes, read 28 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
βThe end is touchingβ
gracjanskiabout 75β100% inread it β
βThis movie is too longβ
MarkTakayamaabout 75β100% inread it β
βOne of Oliver Stone's greatest achievements. The assassination of President John F. Kennedy, with all the web of inconsistencies and lies surrounding the state crime. That is precisely why this film was one of director Stone's most daring projects. As a postscript, it is worth watching Kevin Costner in one of his most mature roles.β
alejandro970read it β
βJFK has to be one of my favorite films of all time, because it has interesting facts and does prove there has to be a conspiracy to kill JFKβ
moviefanicread it β
βthe first two hours of the film are spent delving into the background of Kennedy's death and setting up the plausibility of the "alternative" scenarioβ
wizzardssabout 0β66% inread it β
no tags yet β rate this flick to drop some vibes β¨