pulling the feels…
pulling the feels…
FLICKFEEL
70
from 43 comments
COMMUNITY
—
nobody yet
YOURS
—
…
FUN
44
how good a time it was
MEANINGFUL
68
how much it moved you
Two separate readings, not parts of the score — the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 43 comments (38 from Metacritic, 5 from TMDB reviews) — 8 of them described how it moves.
Thin evidence — the shape below rests on 8 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
“Across the opening portion I thought it was going to be Cage stealing the show, but as things progress Travolta really comes up big to match Cage.”
r96sk · TMDB reviews ↗
“außer am Ende, als alles gut ausgeht — da passte sie endlich mal”
Khashimitooo · Metacritic ↗
“It starts off well”
jamesmitchell28 · Metacritic ↗
“as soon as their faces swap, it sinks real low”
jamesmitchell28 · Metacritic ↗
“that makes the movie too long”
gracjanski · Metacritic ↗
“The movie's got some brilliant humour from start to finish throughout this movie. All of the humour throughout this movie always hits and it never fails, especially from Nicholas Cage, he's honestly hilarious”
Robwinz · Metacritic ↗
Read 25 Aug 2026 · confidence 67% · scored on the same 0-100 scale as a community score · how this works
Published reviews, not felt experience — a different question from the one above, and never mixed into the FlickFeel score.
“Exciting and then some, Face/Off blends the director's supercharged images of balletic brutality and spiritual catharsis with an off-the-wall humor that allows John Travolta and Nicolas Cage to really let it rip.”
Peter Travers, Rolling Stone · 100
“It's the picture that proves action films don't have to be silly, that a few thrill sequences don't mean every other value has to be shot to pieces.”
Mick LaSalle, San Francisco Chronicle · 100
“Sure there are niggles, the most obvious being the length, which could have been reduced by trimming the prison sequences, but in the end this may be his finest moment so far which, by default, puts it in as having a strong claim on the title "best action movie ever made". Really.”
Adam Smith, Empire · 100
“The result is a genre picture that transcends the genre, that gleefully embraces four qualities alien to the bulk of its noisy brethren: (1) thematic texture; (2) kinetic grace; (3) visuals that toy with the mind even while dazzling the eye; and (3) performers who are permitted to act like something other than human wicks for the pyrotechnical bombast.”
Rick Groen, The Globe and Mail (Toronto) · 100
“But it is the steady accretion of hundreds of small moments in this elegant, high-spirited, intensely satisfying production -- the director's third American movie, but the first to approach the dazzle of his Hong Kong stuff -- that, toted up, makes everything right about this des- perately welcome thriller.”
Lisa Schwarzbaum, Entertainment Weekly · 100
Scores from Metacritic and Rotten Tomatoes, read 25 Aug 2026. Quotes belong to their publications and link to the full reviews.
it reviews better than it plays — critics 88, the watch 70
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
“außer am Ende, als alles gut ausgeht — da passte sie endlich mal”
Khashimitoooabout 75–100% inread it ↗
“It starts off well”
jamesmitchell28about 0–15% inread it ↗
“as soon as their faces swap, it sinks real low”
jamesmitchell28about 20–100% inread it ↗
“that makes the movie too long”
gracjanskiabout 0–100% inread it ↗
“Across the opening portion I thought it was going to be Cage stealing the show, but as things progress Travolta really comes up big to match Cage.”
r96skabout 0–33% inread it ↗
“It's like looking in a mirror, only, not. There's a tendency to undervalue the action movie. Certainly there's a wide expanse of land in cinema world where film fans reside, where the thought of praising an action film for being "classic" cinema is considered treason against the very word. Yet some of the artistry involved in the genre's leading lights is purely sublime, regardless of how bizarre and unlikely the plot is. Enter John Woo's berserker, ear splitting, high octane actioner, Face/O”
John Chardread it ↗
“**Score: 9/10 — A Glorious, Unhinged Masterpiece of Maximum Overacting** Some films are subtle. Some films are restrained. And then there is *Face/Off* a film that takes the concept of "going for it" and launches it into orbit with a rocket strapped to its back. Directed by the inimitable John Woo, this is a movie that operates on a wavelength entirely its own: a gloriously unhinged, operatically ridiculous, and utterly mesmerising symphony of overacting, bullet ballets, and preposterous plot”
misubisuread it ↗
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