pulling the feels…
pulling the feels…
FLICKFEEL
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from 22 comments
COMMUNITY
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nobody yet
YOURS
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…
FUN
19
how good a time it was
MEANINGFUL
35
how much it moved you
Two separate readings, not parts of the score — the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 22 comments (15 from Metacritic, 7 from TMDB reviews) — 4 of them described how it moves.
Thin evidence — the shape below rests on 4 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
“the pacing is very uneven throughout consequently the film lacks that key ingredient-excitement”
kyle20ellis · Metacritic ↗
“The first half feels kind of cheap and boring”
511andahalf · Metacritic ↗
“the film really picks up during the second half”
511andahalf · Metacritic ↗
“The action and climax is really good.”
Kai82 · Metacritic ↗
“the pacing is almost crippling slow at times.”
imthenoob · Metacritic ↗
Read 28 Aug 2026 · confidence 15% · too thin for a score · how this works
Published reviews, not felt experience — a different question from the one above, and never mixed into the FlickFeel score.
“I was at least able to follow the plot (which is not to say it wasn't as ludicrous as any Bond film -- just that I could follow it). But most of all this movie has camp value -- it's fun to sit there and make fun of every last detail, and that redeems it quite a bit.”
Staff (Not Credited), IGN · 70
“Hard as it is to justify Bond films on intellectual grounds, there's something invigorating -- and strangely reassuring -- about this sort of picture. It is comforting to feel that should a psychopath threaten the stability of the world, our hero will be ready to wipe the grin off his face and shove him into San Francisco Bay.”
Jay Boyar, Orlando Sentinel · 70
“Beyond Walken and Jones’ considerable contributions, A View to a Kill also contains a robust assortment of action sequences.”
Matt Singer, IndieWire · 67
“Even though Moore sleepwalks his way through the part, making it apparent that he should have departed two films ago, and Tanya Roberts can't act to save her life (although she certainly can scream), we're back to a more conventional, straightforward Bond than the convoluted mess of the previous movie.”
James Berardinelli, ReelViews · 63
“Christopher Walken sleepwalks his way through playing smarmy Nazi geneticist Zorin, where you would think he would have a ball hamming it up as a Bond villain. Indeed, it is a rare moment when Grace Jones makes the biggest impression as an Amazonian (naturally) henchman called May Day.”
Ian Nathan, Empire · 60
Scores from Metacritic and Rotten Tomatoes, read 28 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
“the pacing is very uneven throughout consequently the film lacks that key ingredient-excitement”
kyle20ellisabout 0–100% inread it ↗
“The first half feels kind of cheap and boring”
511andahalfabout 0–50% inread it ↗
“the film really picks up during the second half”
511andahalfabout 50–100% inread it ↗
“The action and climax is really good.”
Kai82about 75–100% inread it ↗
“**Highly entertaining Bond movie** Surprisingly serious Bond movie has Roger Moore step up to the plate for the last time as 007 - this time tackling none other than a psychotic Christopher Walken. One of the better entries, this film has it all - action, humour, beautiful locales, sexy ladies, a scary villain, great stunt work, a classic theme song and of course, the legendary Roger Moore as James Bond. It's a shame that Barbara Broccoli threw all of this classic Bond fun down the toil”
tmdb18359958read it ↗
“Not as good as the previous four, but still a solid Bond film with Christopher Walken, Tanya Roberts and Grace Jones A mission in wintery Siberia leads Agent 007 (Roger Moore) to globetrot from England to Paris to San Francisco and Silicon Valley investigating a horse-racing scam and the psychopathic entrepreneur, Max Zorin (Christopher Walken), who schemes to flood Silicon Valley for the purpose of creating a global microchip monopoly. This was Moore’s last of 7 Bond films from 1973-1985 ”
Wuchakread it ↗
“Walken, right, you can sit back and watch A View to a Kill because of Walken. But let's be honest, he is the ONLY reason that you can sit back and finish this. The 70s, by 1985, were long over and Moore was clearly the 70s era 007. The mood, the atmosphere, the silliness, the feel of 007 needed to change and we still had 70s Bond in 85. And then, Moore himself looked kind of like Bond in his 70s. He was far too old for the role. Too old to be believable as a super spy. Too old fit the part”
GenerationofSwineread it ↗
no tags yet — rate this flick to drop some vibes ✨
“They tried hard to make this the worst movie ever. They at least made it the worst Bond movie ever by not only making it dull, without motivation, without strategy, without inspiration, without wit, but also by giving it the dumbest title ever (what is a "view to a kill"?) and the absolute worst theme song ever. A theme song that sounds like fingernails on a chalkboard, and that's the truth. It's the worst song Duran Duran ever did. It might be noted that no male artist should ever do a Bond s”
drystyxread it ↗