pulling the feels…
pulling the feels…
FLICKFEEL
74
from 51 comments
COMMUNITY
—
nobody yet
YOURS
—
…
FUN
49
how good a time it was
MEANINGFUL
49
how much it moved you
Two separate readings, not parts of the score — the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 51 comments (46 from Metacritic, 5 from TMDB reviews) — 13 of them described how it moves.
Thin evidence — the shape below rests on 13 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
“The prison break sequence with the 21-minute one-shot camera move is jaw-dropping and one of the most remarkable action set pieces I have ever seen.”
The Movie Mob · TMDB reviews ↗
“The 21-minute oner (!) should be observed and studied as a brilliant example of how to blend stunt work, cinematography, editing, VFX, and performances”
Manuel São Bento · TMDB reviews ↗
“after an initial, slow start”
MovieGuys · TMDB reviews ↗
“The highlight is a 21-minute "long take".”
Trevor Morris · TMDB reviews ↗
“One standout moment in Act One features a 21-minute continuous shot. It’s surreal to watch—intense, gripping, and technically impressive.”
gabrieldsanchez · Metacritic ↗
“Good 2nd half”
SabharishG · Metacritic ↗
Read 28 Aug 2026 · confidence 100% · scored on the same 0-100 scale as a community score · how this works
Published reviews, not felt experience — a different question from the one above, and never mixed into the FlickFeel score.
It plays better than it reviews — the watch lands harder than the write-ups suggest.
“Hargrave, a stuntman turned director, knows where to put his camera for maximum impact, and genuinely disturbing foley work showcases sounds of crunching bones and splattering blood. You feel every punch land.”
Helen O'Hara, Empire · 80
“Occasionally, the dizzying filmmaking style, a mix of practical stunt work and invisible VFX, feels like a video-game cutscene. More often, it just sucks the air from your lungs. The ending gestures pretty firmly at another sequel to come. It’ll have a tough job upping the ante on this.”
Phil de Semlyen, Time Out · 80
“The sum total is superior in every way to what he dished out last time. With a third one openly teased at the end, the fog has lifted: Hemsworth has landed on his Bourne, and this is his Supremacy.”
Tim Robey, The Telegraph · 80
“The sequel is even more enjoyable than the first, with action sequences that are as good or better than anything you’ll see at the theater.”
Mick LaSalle, San Francisco Chronicle · 75
“When this thing moves — and, wow, does it ever — it offers one of the best examples yet of what Netflix bucks can buy. It even makes off with upped emotion (including that engendered by shining a brighter spotlight on the wonderful Farahani and Bessa), a new dimension to the always-evolving Hemsworth, and proof that the action franchise can capture old thrills with new stories.”
Kate Erbland, IndieWire · 75
Scores from Metacritic and Rotten Tomatoes, read 28 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
“One standout moment in Act One features a 21-minute continuous shot. It’s surreal to watch—intense, gripping, and technically impressive.”
gabrieldsanchezabout 0–33% inread it ↗
“Good 2nd half”
SabharishGabout 50–100% inread it ↗
“1st half was dragging”
SabharishGabout 0–50% inread it ↗
“A cena do resgate na prisão, culminando com uma perseguição, é de tirar o fôlego, toda a composição dos atores (e não são poucos), as locações diversas usadas, a frieza e crueldade com que o diretor não nos poupa do sangue, e ainda contando com um plano sequência de arrepiar, faz você imergir na tela. É, de fato, uma das melhores cenas já feitas pela Netflix.”
alanpotter17about 10–30% inread it ↗
“The prison break sequence with the 21-minute one-shot camera move is jaw-dropping and one of the most remarkable action set pieces I have ever seen.”
The Movie Mobabout 0–15% inread it ↗
“The 21-minute oner (!) should be observed and studied as a brilliant example of how to blend stunt work, cinematography, editing, VFX, and performances”
Manuel São Bentoabout 0–15% inread it ↗
“after an initial, slow start”
MovieGuysabout 0–15% inread it ↗
“The highlight is a 21-minute "long take".”
Trevor Morrisabout 0–15% inread it ↗
no tags yet — rate this flick to drop some vibes ✨