pulling the feels…
pulling the feels…
FLICKFEEL
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not read yet
COMMUNITY
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nobody yet
YOURS
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Published reviews, not felt experience — a different question from the one above, and never mixed into the FlickFeel score.
“Porumboiu cinematically constructs—both through the patient, subtly but decisively shaped interviews and the cannily gradual editing—a life story that engages, at crucial points of contact, with the political history of his times and that reflects aspirations and inspirations that are themselves of a historic power.”
Richard Brody, The New Yorker · 100
“While the movie has allegorical resonances with the political and human rights disasters of 20th-century Romania, by the end, its surfaces, while remaining superficially unimpressive, open up as the film moves from epistemological speculation onto a plane of mysticism. This relatively short film contains worlds.”
Glenn Kenny, The New York Times · 90
“Corneliu Porumboiu resists spelling anything out but the bare essentials, instead continuing his project of inviting viewers to closely parse the acerbic day-to-day banalities of post-Ceausescu Romania.”
Steve Macfarlane, Slant Magazine · 88
“Infinite Football is as casual as a conversation with a stranger that ends up going for more than hour — the kind where just by being attentive and sporadically asking questions, you take away someone’s life story, and understand the one passion they could talk about on end.”
Nick Allen, RogerEbert.com · 88
“One of the most fascinating things about Infinite Football is that Porumboiu never feels the need to feed his pal any rope in order to get these moments on camera. The two men are close and the director pointedly takes the time to let us in on his friend’s life.”
Rory O'Connor, The Film Stage · 83
Scores from Metacritic and Rotten Tomatoes, read 28 Aug 2026. Quotes belong to their publications and link to the full reviews.
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