pulling the feelsβ¦
pulling the feelsβ¦
FLICKFEEL
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from 20 comments
COMMUNITY
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nobody yet
YOURS
β
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FUN
80
how good a time it was
MEANINGFUL
35
how much it moved you
Two separate readings, not parts of the score β the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 20 comments (15 from Metacritic, 5 from TMDB reviews) β 2 of them described how it moves.
Thin evidence β the shape below rests on 2 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
βIt was a little dull at one pointβ
DawdlingPoet Β· Metacritic β
βonce the plot pace gets going, its quite funβ
DawdlingPoet Β· Metacritic β
βThe film is an absolute joy from start to finishβ
Willywonka180 Β· Metacritic β
Read 28 Aug 2026 Β· confidence 7% Β· too thin for a score Β· how this works
Published reviews, not felt experience β a different question from the one above, and never mixed into the FlickFeel score.
βIn the Christmas zombie teen musical Anna and the Apocalypse, a whole lot of genre is stuffed into one neat little package, and happily, giddily, it is perfectly executed, landing like a triumphant triple axel splattered in gore, and wrapped in tinsel.β
Katie Walsh, Los Angeles Times Β· 90
βIf youβre willing to overlook a little scruffiness at the edges, itβs a Christmas miracle that the Scottish import βAnna and the Apocalypseβ works so well as both a horror movie and a musical.β
Alonso Duralde, TheWrap Β· 85
βLike its star, Anna and the Apocalypse merrily charges through danger. Itβs a genre mash-up populated with cliches...but McPhail finds small moments to make his characters unique.β
Amy Nicholson, IndieWire Β· 83
βWatching it is a cheer-along experience.β
Tasha Robinson, The Verge Β· 81
βAnna and the Apocalypse is a delightful Christmas/horror/comedy/musical hybrid, with a great cast, entertaining gore and a storyline thatβs easy to take seriouslyβ¦ even though itβs fundamentally absurd.β
William Bibbiani, IGN Β· 81
Scores from Metacritic and Rotten Tomatoes, read 28 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
βIt was a little dull at one pointβ
DawdlingPoetabout 33β66% inread it β
βonce the plot pace gets going, its quite funβ
DawdlingPoetabout 50β100% inread it β
βThe film is an absolute joy from start to finishβ
Willywonka180about 0β100% inread it β
βThis is the best musical-comedy-holiday-zombie-horror movie you will ever see. It's so original and well executed in every way that we rewatch it every year around the holidays.β
SayreTXread it β
βDecent enough 1980s-era espionage action-thriller that pretty much combines Atomic Blonde, Red Sparrow and Besson's La Femme Nikita. Sasha Luss in the lead was quite good and the fight scenes were well choreographed. The story isn't special but twists were good and it did keep me entertained thanks to a nice supporting cast, especially Helen Mirren. **3.5/5**β
JPV852read it β
βIf _Red Sparrow_ was the crap version of _Atomic Blonde_, when the Hell does that make the crap version of _Red Sparrow_? ...Fuckin' _Anna_ I guess. _Final rating:β Β½: - Boring/disappointing. Avoid where possible._β
Gimlyread it β
βI'm a sucker for Luc Besson's films. Even when they're bad they're better than most of the action schlock churned out both by Hollywood and cash-grab direct-to-video indies. There is a lot I could rip to shreds from the implausibility of pretty much everything that happens to the less-than-stellar acting at times... but that's not why one watches a Luc Besson film. It's a wild and fun ride that doesn't let up and has some truly inspired action set pieces, some campy humor, and hyper-stylizedβ
sporkproductionsread it β
β**In a genre filled with solid spy action thrillers with small budgets, Anna disappoints even with a solid cast and experienced director.** My hopes were high with the promise of a spy film with a John Wick-type female protagonist and a supporting cast with Luke Evans, Helen Mirren, and Cillian Murphy. But Anna doesn't even manage to entertain. The screen time is chewed up by developing her undercover identity, her various romances, hurts, betrayals, and very little subterfuge or action. Annaβ
no tags yet β rate this flick to drop some vibes β¨
The Movie Mobread it β