The Post

“The film really won me over in its last two acts, by that point, i found myself fully invested in the case and genuinely excited to see how the events would unfold, which is great, i love the last two act of The Post, the first act isn't bad at all, but it does require more attention as it sets everything up, the last two acts, however, are much more tense and easier to get caught up in”

Habibiehakimabout 33–100% inread it ↗

“the first act isn't bad at all, but it does require more attention as it sets everything up”

Habibiehakimabout 0–33% inread it ↗

“Movie started of slow and sloppy”

wesseldjabout 0–33% inread it ↗

“près de deux plombes de bavardages interminables et assommants… Spielberg n’a pas réussi en effet à rendre ce merdier digne d’intérêt, bien au contraire : c’est à dormir debout à cloche-pied ou sur les mains tellement on se fait chier pour pas un rond !”

Broyaxabout 0–100% inread it ↗

“I found it rather slow in development and a bit too lost in too many conversations. Lacks a bit of action/movement.”

martina.physicsabout 0–100% inread it ↗

“Firing on all Oscar-bait cylinders, _The Post_ is much more about the facts of the events than an insight into the people involved in them. It has some laughs in it, but it's far from a comedy. It's all "what" and no "why", but also, _The Post_ is built on this HUGE will-they-wont-they question with massive ramifications ("Will Nixon and LBJ be exposed") and it's what the whole 108 minute runtime is building up to, but... We already know. The things that happen in _The Post_ are real events t”

Gimlyread it ↗

“**An ambitious film, very solid and with a lot of quality, but which turned out to be forgettable.** I've honestly lost count of the movies about Nixon I've seen. And I understand that! In the history of the American presidential institution, few presidents have stirred up as much controversy. He was a president who not only was willing to use his whole power, but also who abused from its use. And the media was one of his biggest and most fearsome enemies. In this film, the point of originali”

Filipe Manuel Netoread it ↗

“This is essentially a film about the freedom of the press - and how that terrifies even the most "democratic" of institutions. Disillusioned military analyst (Matthew Rhys) discovers the extent to which the US military had been misleading the government and population about the Vietnam War and takes some sensitive information to the Washington Post (initially, this is more about who gets the scoop - them or the New York Times) but rapidly the Post - edited by Ben Bradlee (Tom Hanks) decides it m”