Baby Driver

“No Hollywood suit and no diehard fan could have had the foresight to picture something like this, namely because nobody but Wright had any idea what this was supposed to be. This is something that’s been brewing inside his head for over two decades, and that unquestionable dedication, confidence, and passion fuels each and every scene of Baby Driver.”

Michael Roffman, Consequence · 100

“The mechanisms at work in Baby Driver, while calibrated with hair’s-breadth precision, are nothing new. Here’s what is: the sheer glee with which the film prods around in its own clockwork to show you what spins what.”

Robbie Collin, The Telegraph · 100

“An awe-inspiring piece of filmmaking from Edgar Wright that plays out as a musical through the lens of an action thriller. Sweet, funny and utterly original — you won’t see a film like it this year.”

Terri White, Empire · 100

“As he proves yet again in his thrillingly syncopated heist movie Baby Driver, the 43-year-old U.K.-born Edgar Wright is just about the perfect 21st-century genre director. He has a fanboy’s scintillating palette — flesh-eating zombies, righteous vigilante cops, stoic bank robbers in sunglasses — without a fanboy’s lack of peripheral vision.”

David Edelstein, New York Magazine (Vulture) · 100

“Style is the substance of Edgar Wright's inventive heist flick, a fresh, masterful synching of music and getaway mayhem, as if La La Land's traffic jam was moving, armed and dangerous.”

Steve Persall, Tampa Bay Times · 100