pulling the feels…
pulling the feels…
FLICKFEEL
75
from 287 comments
COMMUNITY
—
nobody yet
YOURS
—
…
FUN
11
how good a time it was
MEANINGFUL
93
how much it moved you
Two separate readings, not parts of the score — the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 287 comments (239 from Reddit, 41 from Metacritic, 7 from TMDB reviews) — 54 of them described how it moves.
➖ steady — Holds one level all the way. Pulled both ways throughout — never simply one thing. In the last stretch it was tender and painful at the same time, which is the state people mean by being moved. Very little of it ever resolves. Marked above the line: 4 that landed as a blow, 1 that gave people chills, 1 that got a real laugh.
Hover the curveDrag across the curve to see what people said at any point.
“The hard cut from Amy confessing that she loved Laurie to her 7 years prior sending him a mold of her feet is pretty much my entire dating life.”
falafelthe3 · Reddit ↗
“the most memorable scene of the movie for me is Amy's economical factor in choosing a husband monologue inside the painting workshop. It was a single take where the camera focuses and tracks with Pugh's face as she moves toward Laurie. The controlled delivery says so much, it adds a silent subtext to what was spoken. It conveys a woman in a time where it is un-lady-like to burst out how she really feels, yet the measured tone tells us so much more is hidden beneath the surface. Furthermore, her perfect articulation of the matter hints her intellect and how often she thinks about this unfair world, refining each time she is reminded that life, fate, and society have constantly placed her being second to someone else whether in being a sister of talent, a love interest, an artist, and a woman.”
PepperMintGumboDrop · Reddit ↗
“I particularly loved the ending, where Jo is talking to the publisher and they discuss the ending of her book. It’s so meta, but also romantic (both in the classical sense and emotional sense.) Jo realizes that she can be who she wants and be with who she wants to be with without detriment to her story.”
poopirates · Reddit ↗
“The ending was so meta with Jo writing a happily ever after for her protagonist, parallel with Louisa May Alcott being forced to write a romantic ending for her novel.”
“The flashbacks were a little confusing.”
“Biggest laugh of the movie”
edthomson92 · Reddit ↗
Read 26 Aug 2026 · confidence 100% · scored on the same 0-100 scale as a community score · how this works
Published reviews, not felt experience — a different question from the one above, and never mixed into the FlickFeel score.
It reviews better than it plays — admired more than it is enjoyed.
“This is such a beguiling, generous film from Gerwig. There is a lot of love in it.”
Peter Bradshaw, The Guardian · 100
“In an era in which sentimentality is a seasoning that filmmakers either shun entirely or employ with too heavy a hand, Gerwig crafts a work about love and family and devotion and empathy that is moving without being manipulative. This is a Little Women for the ages.”
Alonso Duralde, TheWrap · 100
“Little Women is the best kind of Hollywood film: thoughtful yet escapist, sophisticated yet accessible, expertly crafted and deeply felt. The performances are all top notch—Ronan and Pugh, especially, breathe new life into their characters. Gerwig’s direction is also first rate.”
Katie Rife, The A.V. Club · 100
“Not just for women of whatever size. Warm but never wishy-washy, cosy without being cutesy, this is a superb adaptation of the source and further evidence that Gerwig is the real deal.”
Helen O'Hara, Empire · 100
“This Little Women is two-odd hours of good cheer and lovely ensemble performances. It’s a warm fireplace hearth of a film, albeit one with a tendency to spit out fiery embers.”
Sara Stewart, New York Post · 100
Scores from Metacritic and Rotten Tomatoes, read 25 Aug 2026. Quotes belong to their publications and link to the full reviews.
it reviews better than it plays — critics 93, the watch 75
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
“The hard cut from Amy confessing that she loved Laurie to her 7 years prior sending him a mold of her feet is pretty much my entire dating life.”
falafelthe3▲ 1,999about 50–60% inread it ↗
“the most memorable scene of the movie for me is Amy's economical factor in choosing a husband monologue inside the painting workshop. It was a single take where the camera focuses and tracks with Pugh's face as she moves toward Laurie. The controlled delivery says so much, it adds a silent subtext to what was spoken. It conveys a woman in a time where it is un-lady-like to burst out how she really feels, yet the measured tone tells us so much more is hidden beneath the surface. Furthermore, her perfect articulation of the matter hints her intellect and how often she thinks about this unfair world, refining each time she is reminded that life, fate, and society have constantly placed her being second to someone else whether in being a sister of talent, a love interest, an artist, and a woman.”
PepperMintGumboDrop▲ 1,117about 50–60% inread it ↗
“I particularly loved the ending, where Jo is talking to the publisher and they discuss the ending of her book. It’s so meta, but also romantic (both in the classical sense and emotional sense.) Jo realizes that she can be who she wants and be with who she wants to be with without detriment to her story.”
poopirates▲ 758about 80–100% inread it ↗
“The ending was so meta with Jo writing a happily ever after for her protagonist, parallel with Louisa May Alcott being forced to write a romantic ending for her novel.”
▲ 719about 75–100% inread it ↗
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