pulling the feels…
pulling the feels…
FLICKFEEL
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from 17 comments
COMMUNITY
—
nobody yet
YOURS
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…
FUN
0
how good a time it was
MEANINGFUL
30
how much it moved you
Two separate readings, not parts of the score — the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 17 comments (14 from Metacritic, 3 from TMDB reviews) — 3 of them described how it moves.
Thin evidence — the shape below rests on 3 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
“hard to follow at times. Some scenes felt incomplete or lacked context”
JohnnyMauch · Metacritic ↗
“Some scenes were grotesque and dragged on too long”
JohnnyMauch · Metacritic ↗
“Towards the end, I was slowly losing interest and it was just getting too long for me.”
MrPajamas · Metacritic ↗
“it never feels boring to me while the pace is quite elegiac everything else just compels you”
kyle20ellis · Metacritic ↗
Read 25 Aug 2026 · confidence 7% · too thin for a score · how this works
Published reviews, not felt experience — a different question from the one above, and never mixed into the FlickFeel score.
“A film of fatally flawed heroes, oversized passions, nation-building, and, inevitably, violence, America follows its characters from childhood to old age by way of the kind of grand-scale filmmaking that wouldn't be seen again until Martin Scorsese's Gangs Of New York. [2014 re-release]”
Keith Phipps, The A.V. Club · 100
“It’s a funny, rousing, brilliant piece of work.”
Dave Kehr, Chicago Reader · 100
“An epic poem of violence and greed.”
Roger Ebert, Chicago Sun-Times · 100
“While The Godfather delivers certainty and a comforting dramatic resolution, Once Upon A Time In America delivers a profound kind of mystery. While Coppola's film delivers answers, Leone's asks questions. It lingers and plays on the mind; its meanings shift and change like a faded memory or a half-remembered dream.”
Adam Smith, Empire · 100
“A brilliantly detailed Lower East Side Jewish version of The Godfather.”
Steve Simels, Entertainment Weekly · 100
Scores from Metacritic and Rotten Tomatoes, read 23 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
“hard to follow at times. Some scenes felt incomplete or lacked context”
JohnnyMauchabout 0–100% inread it ↗
“Some scenes were grotesque and dragged on too long”
JohnnyMauchabout 0–100% inread it ↗
“Towards the end, I was slowly losing interest and it was just getting too long for me.”
MrPajamasabout 75–100% inread it ↗
“it never feels boring to me while the pace is quite elegiac everything else just compels you”
kyle20ellisabout 0–100% inread it ↗
“Stereotypical Sergio Leone film with endless waitings and sight crossings. One of the performances that made Robert de Niro de actor he is and an interesting way of telling a story and the evolution of America during the years of the alcohol prohibition.”
Andres Gomezread it ↗
“**It's an excellent film, which proves the importance of good post-production, and how bad editing can ruin the whole thing.** There are certain films that impress us so much when we see them that we are really surprised when we discover how ignored they were by the great awards. This film is one of them: I was really shocked to find that it wasn't even nominated for an Oscar or a Golden Globe… and I had to read a bit to understand why that happened. The film is perhaps one of the best in ”
Filipe Manuel Netoread it ↗
“Told by way of a really potent (and well scored by Morricone) retrospective, this sits us down and takes us through a forty year period in the life of the now down-at-heel "Noodles" (Robert De Niro) and of the development of the city of New York. The contents of an old briefcase serve as an aide memoire as the retrospective illustrates just how he and three of his childhood friends decided that the gutter was not for them, and that using the "system" to get on was the only way. Prohibition, viol”
CinemaSerfread it ↗
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