pulling the feelsβ¦
pulling the feelsβ¦
FUN
44
how good a time it was
MEANINGFUL
40
how much it moved you
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 119 comments (82 from Reddit, 36 from Metacritic, 1 from TMDB reviews) β 45 of them described how it moves.
π front-loaded β Opens strong, fades out. Pulled both ways throughout β never simply one thing. Marked above the line: 1 that got a real laugh.
Hover the curveDrag across the curve to see what people said at any point.
βThe whole second half is dedicated to showing how things rarely turn out the way we expect (And even when they do, we're rarely happy with the result).β
SchroedingersSphere Β· Reddit β
βthe pacing was a little odd. The 2 act structure works great for the musical but doesn't work as well in the movieβ
embenjamin14 Β· Reddit β
βit was like it was shot out of a cannon for about the first hour, I was so enthralledβ
ethernetcord Β· Reddit β
βit just kind of puttered out for meβ
ethernetcord Β· Reddit β
βEverything was going really well up until the giant attack startedβ
βand then the whole focus of the movie got lost.β
Read 26 Aug 2026 Β· confidence 100% Β· scored on the same 0-100 scale as a community score Β· how this works
Published reviews, not felt experience β a different question from the one above, and never mixed into the FlickFeel score.
βInto the Woods, the splendid Disney screen adaptation of the Stephen Sondheim-James Lapine musical, infuses new vitality into the tired marketing concept of entertainment for βchildren of all ages.β That usually translates to mean only children and their doting parents. But with Into the Woods, you grow up with the characters, young and old, in a lifelong process of self-discovery.β
Stephen Holden, The New York Times Β· 90
βMarshall deserves credit for knowing how to shoot and cut (alongside editor Wyatt Smith, βThor: The Dark Worldβ) a musical number, and his work here ranks much closer to his success with βChicagoβ than to his dismal βNine.ββ
Alonso Duralde, TheWrap Β· 88
βMarshall, who established himself as a great movie musical director with 2002βs Oscar-winning Chicago, has done a masterful job of collaborating with Sondheim and Lapine to transform their 1987 Tony Award-winning, two-act musical into a film that flows seamlessly as it juggles its intertwining storylines.β
Christine Dolen, Miami Herald Β· 88
βStephen Sondheimβs stage classic Into the Woods, a dark and subversive musical take on fairy tales, not only survives but triumphs in the composerβs most unlikely collaboration with Disney.β
Lou Lumenick, New York Post Β· 88
βThe singing is often splendid. The bits of humor are deftly handled. The pace is relatively swift. And it never feels like a static rendition of a theatrical event dumbed down for a younger demographic.β
Susan Wloszczyna, RogerEbert.com Β· 88
Scores from Metacritic and Rotten Tomatoes, read 26 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
βThe whole second half is dedicated to showing how things rarely turn out the way we expect (And even when they do, we're rarely happy with the result).β
SchroedingersSphereβ² 142about 50β100% inread it β
βthe pacing was a little odd. The 2 act structure works great for the musical but doesn't work as well in the movieβ
embenjamin14β² 128about 33β66% inread it β
βit was like it was shot out of a cannon for about the first hour, I was so enthralledβ
ethernetcordβ² 120about 0β33% inread it β
βit just kind of puttered out for meβ
ethernetcordβ² 120about 33β100% inread it β
no tags yet β rate this flick to drop some vibes β¨