pulling the feelsβ¦
pulling the feelsβ¦
FLICKFEEL
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from 19 comments
COMMUNITY
β
nobody yet
YOURS
β
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FUN
4
how good a time it was
MEANINGFUL
68
how much it moved you
Two separate readings, not parts of the score β the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 19 comments (19 from Metacritic) β 3 of them described how it moves.
Thin evidence β the shape below rests on 3 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
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βa narrative rhythm that feels 100% mechanical and stagnantβ
famfacat Β· Metacritic β
βdragging through a pathetic cycle of cake-eating montages and shoe-shopping spreesβ
famfacat Β· Metacritic β
βjust a bit boringβ
fartyfreak Β· Metacritic β
βThe all-style-no-substance approach Sofia Coppola took worked impressively, and enticingly, well up till half of its runtime.β
ahmedaiman1999 Β· Metacritic β
βThe lack of a developed script then begins to hamper my enjoyment of the movie, as it gradually becomes monotonous.β
ahmedaiman1999 Β· Metacritic β
βAnd at its third act, Marie Antoinette falls .... flat!β
ahmedaiman1999 Β· Metacritic β
Read 28 Aug 2026 Β· confidence 8% Β· too thin for a score Β· how this works
Published reviews, not felt experience β a different question from the one above, and never mixed into the FlickFeel score.
βCoppola captures the luxe insularity of Marie Antoinette's world in a way that leaves no doubt why the revolution had to happen. The picture's final image is a moment of devastating stillness that wouldn't be out of place in Luchino Visconti's end-of-an-era masterpiece "The Leopard."β
Stephanie Zacharek, Salon Β· 100
βCoppola brilliantly conjures the young queen's insular world, in which she was both isolated and claustrophobically scrutinized.β
Ann Hornaday, Washington Post Β· 100
βKristen Dunst is pitch-perfect in the title role.β
Roger Ebert, Chicago Sun-Times Β· 100
βMarie Antoinette gives a wide berth to the conventions of period dramas, especially their time-capsule remove, and instead tries to mainline the singular personal experience of the arch-villainess of French history (and freedom history, for that matter). The result is a startlingly original and beautiful pop reverie that comes very close to being transcendent.β
Carina Chocano, Los Angeles Times Β· 90
βCoppola works in weird ways, but the real Versailles was so much weirder.β
Kyle Smith, New York Post Β· 88
Scores from Metacritic and Rotten Tomatoes, read 28 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
βa narrative rhythm that feels 100% mechanical and stagnantβ
famfacatabout 0β100% inread it β
βdragging through a pathetic cycle of cake-eating montages and shoe-shopping spreesβ
famfacatabout 0β100% inread it β
βjust a bit boringβ
fartyfreakabout 0β100% inread it β
βThe all-style-no-substance approach Sofia Coppola took worked impressively, and enticingly, well up till half of its runtime.β
ahmedaiman1999about 0β50% inread it β
no tags yet β rate this flick to drop some vibes β¨