pulling the feels…
pulling the feels…
FLICKFEEL
36
from 48 comments
COMMUNITY
—
nobody yet
YOURS
—
…
FUN
2
how good a time it was
MEANINGFUL
30
how much it moved you
Two separate readings, not parts of the score — the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 48 comments (47 from Metacritic, 1 from TMDB reviews) — 13 of them described how it moves.
Thin evidence — the shape below rests on 13 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
“Every dialog is hard to listen to, because they are so boring.”
alicevonderland · Metacritic ↗
“This one is so boring. No action whatsoever”
Sosmooth1982 · Metacritic ↗
“o problema irritante está exclusivamente em quando a protagonista abre a boca ou faz qualquer coisa, o que consistem em 80% do filme”
FlashTommy96 · Metacritic ↗
“Horrendous bore”
All_ButTrU4 · Metacritic ↗
“Weitz’s pacing is so limp”
imdbsupport · Metacritic ↗
“2 hours of Bella moping over Edward leaving her”
bfoore90 · Metacritic ↗
Read 26 Aug 2026 · confidence 100% · scored on the same 0-100 scale as a community score · how this works
Published reviews, not felt experience — a different question from the one above, and never mixed into the FlickFeel score.
“Fan-ready and saga-solid.”
Lisa Schwarzbaum, Entertainment Weekly · 83
“Mopey, draggy, and absurdly self-important, the movie nonetheless twangs at some resonant affective chord. This viewer, at least, was catapulted back to that moment of adolescence when being mopey, draggy, and absurdly self-important felt like a passionate act of liberation.”
Dana Stevens, Slate · 80
“Why does “New Moon” basically work, even with its grave self-seriousness? A few reasons. Weitz lets the material breathe, and his actors interact. The film does not try to eat you alive.”
Michael Phillips, Chicago Tribune · 75
“Given this swoon-inducer, Summit Entertainment would be well-advised to set up fainting couches in the multiplex lobby and provide smelling salts to those who need them.”
Carrie Rickey, Philadelphia Inquirer · 75
“May be one of the most fun-free, angst-ridden teens we've seen on the big screen in a long time.”
Kevin C. Johnson, St. Louis Post-Dispatch · 75
Scores from Metacritic and Rotten Tomatoes, read 24 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
“Every dialog is hard to listen to, because they are so boring.”
alicevonderlandabout 0–100% inread it ↗
“This one is so boring. No action whatsoever”
Sosmooth1982about 0–100% inread it ↗
“o problema irritante está exclusivamente em quando a protagonista abre a boca ou faz qualquer coisa, o que consistem em 80% do filme”
FlashTommy96about 20–100% inread it ↗
“Horrendous bore”
All_ButTrU4about 0–100% inread it ↗
“I think that this is sightly better than the turgid first instalment. "Bella" (Kristen Stewart) is now fairly firmly attached to "Edward Cullen" (Robert Pattinson) and that puts her life in danger. When they realise that, and that folks are starting to suspect that the dapper doctor “Carlisle” (Peter Facinelli) is really “Dorian Gray”, he and his family abruptly move away leaving her bereft and sad. After some months of moping and bad dreams, “Bella” starts to take solace rebuilding a motor bike”
CinemaSerfread it ↗
no tags yet — rate this flick to drop some vibes ✨