pulling the feelsβ¦
pulling the feelsβ¦
FLICKFEEL
54
from 20 comments
COMMUNITY
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nobody yet
YOURS
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FUN
10
how good a time it was
MEANINGFUL
58
how much it moved you
Two separate readings, not parts of the score β the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 20 comments (18 from Metacritic, 2 from TMDB reviews) β 12 of them described how it moves.
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βThe opening scenes of this movie are the sort that stay with you for ever: the brutal assault and murder of a young girl by two rednecks in Mississippi.β
CinemaSerf Β· TMDB reviews β
βway too big a middle and repetitive themes and scenesβ
royalguy07 Β· Metacritic β
βthe entire film, it's too drawn outβ
Miyod Β· Metacritic β
βkeeps viewers on the edge of their seats from beginning to endβ
ThomasReviews Β· Metacritic β
βA rather dull courtroom dramaβ
geewah Β· Metacritic β
βAnd the climax of it all . . . well, don't get me started. Suffice it to say that there are no stunning legal points to be found and the final scenes are saccharine to a fault.β
HotelCentral Β· Metacritic β
Read 28 Aug 2026 Β· confidence 26% Β· scored on the same 0-100 scale as a community score Β· how this works
Published reviews, not felt experience β a different question from the one above, and never mixed into the FlickFeel score.
βIf the film doesn't add up to a cogent legal argument, neither does it have trouble delivering 2 hours and 20 minutes' worth of sturdy, highly charged drama.β
Janet Maslin, The New York Times Β· 90
βDirector Joel Schumacher's breathlessly paced and incident-crammed movie will induce a certain sense of deja vu among veteran viewers.β
Richard Schickel, Time Β· 90
βAs originated by Grisham and adapted by Akiva Goldsman, this is a story of elemental emotional and legal issues splashed across a large canvas, and director Joel Schumacher has done a solid job of keeping the many components in focus and balance.β
Todd McCarthy, Variety Β· 90
βSchumacher is never quite smart enough to keep the debate neutral, and the unrestrained hero worship at the close leaves a nasty taste.β
Ian Nathan, Empire Β· 80
βA Time to Kill, based on the first novel by John Grisham, is a skillfully constructed morality play that pushes all the right buttons and arrives at all the right conclusions.β
Roger Ebert, Chicago Sun-Times Β· 75
Scores from Metacritic and Rotten Tomatoes, read 28 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
βway too big a middle and repetitive themes and scenesβ
royalguy07about 33β66% inread it β
βthe entire film, it's too drawn outβ
Miyodabout 0β100% inread it β
βkeeps viewers on the edge of their seats from beginning to endβ
ThomasReviewsabout 0β100% inread it β
βA rather dull courtroom dramaβ
geewahabout 0β100% inread it β
βThe opening scenes of this movie are the sort that stay with you for ever: the brutal assault and murder of a young girl by two rednecks in Mississippi.β
CinemaSerfabout 0β15% inread it β
β**It's a good movie, but I've seen better courtroom dramas.** I saw this film not long ago and was very impressed with its quality. I didn't know, however, that it was based on a novel by John Grisham (I've never read it, and I have doubts if it was translated into Portuguese), and based very lightly on the emotional testimony of a young girl victim of rape. It should be noted, moreover, and by mere curiosity, that, in the real case behind the novel, the victim was a white girl and the man acβ
Filipe Manuel Netoread it β
no tags yet β rate this flick to drop some vibes β¨