pulling the feels…
pulling the feels…
FLICKFEEL
—
from 20 comments
COMMUNITY
—
nobody yet
YOURS
—
…
FUN
65
how good a time it was
MEANINGFUL
9
how much it moved you
Two separate readings, not parts of the score — the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 20 comments (18 from Metacritic, 2 from TMDB reviews) — 4 of them described how it moves.
Thin evidence — the shape below rests on 4 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
“the final scene with the cat redeemed some of the flaws I noticed along the way”
Peter McGinn · TMDB reviews ↗
“As for the final scene, it is impossible to shed a tear and smile here.”
KelvinSelimor · Metacritic ↗
“This is a somewhat slow moving, dull film.”
DawdlingPoet · Metacritic ↗
“you can't help but smile like an idiot at the end”
sammietee · Metacritic ↗
Read 26 Aug 2026 · confidence 11% · too thin for a score · how this works
Published reviews, not felt experience — a different question from the one above, and never mixed into the FlickFeel score.
“Hepburn brings Truman Capote's Holly Golightly to vivid life. [Review of re-release]”
Marjorie Baumgarten, Austin Chronicle · 100
“One of the great New York films, swathing the city in a layers of dewy love and glossy chic. [Review of re-release]”
Staff (Not Credited), TV Guide Magazine · 100
“Woven into this heady romance is chic Hollywood comedy at it's finest, combined with evocative cinematography.”
Almar Haflidason, BBC · 100
“Out of the elusive, but curiously intoxicating Truman Capote fiction, scenarist George Axelrod has developed a surprisingly moving film, touched up into a stunningly visual motion picture.”
Larry Tubelle, Variety · 90
“Blake Edwards’s discontent-but-charmed portrait of a long-lost New York state of blithe is, like most Blake Edwards films, narratively scattershot but reliably fixated on the cinematic chemistry of social relations in a mod (and post-mod) era, which invariably boil down to genders and the extent to which individuals ascribe to their assigned sex roles.”
Eric Henderson, Slant Magazine · 88
Scores from Metacritic and Rotten Tomatoes, read 26 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
“As for the final scene, it is impossible to shed a tear and smile here.”
KelvinSelimorabout 85–100% inread it ↗
“This is a somewhat slow moving, dull film.”
DawdlingPoetabout 0–100% inread it ↗
“you can't help but smile like an idiot at the end”
sammieteeabout 75–100% inread it ↗
“After seeing her in My Fair Lady, I wanted to see more of Audrey Hepburn's work, and Breakfast at Tiffany's was the film that almost everyone I spoke to about her recommended. After seeing it for myself, I found it delightful, it does have its problems but a lot compensated. One is that it is really nice to look at. The cinematography and settings are really elegant, and Audrey's black dress makes her look amazing and svelte. Henry Mancini's score is also superb, full of sweet, poignant and jaun”
kyle20ellisread it ↗
“the final scene with the cat redeemed some of the flaws I noticed along the way”
Peter McGinnabout 85–100% inread it ↗
no tags yet — rate this flick to drop some vibes ✨