pulling the feels…
pulling the feels…
FLICKFEEL
80
from 54 comments
COMMUNITY
—
nobody yet
YOURS
—
…
FUN
54
how good a time it was
MEANINGFUL
30
how much it moved you
Two separate readings, not parts of the score — the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 54 comments (47 from Metacritic, 7 from TMDB reviews) — 14 of them described how it moves.
Thin evidence — the shape below rests on 14 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
“have the movie is an explanation of how the heist is going to happen (with JUST enough information left out for misdirects), then there is the actual heist, with some misdirects, and an explanation of the gaps, if not the heist itself, then a resolution. That's the formula for every heist movie ever, which is part of what makes it boring.”
Kamurai · TMDB reviews ↗
“The pacing isn't weighed down by exposition; instead, the viewer discovers important history and surprises simultaneously as the characters on screen. The absolutely brilliant cast is effortlessly charming, whose antics and charisma fuel the movie to be a wonderful ride from start to finish. You can't help but feel welcomed into Danny Ocean's crew.”
The Movie Mob · TMDB reviews ↗
“watching it is pretty enjoyable the whole way through”
DukesReaper · Metacritic ↗
“Ocean’s Eleven has a large-capacity motor, one that’s kept constantly chugging toward the finish line. There’s very little wasted motion here; every scene builds upon the last and, duly, provides a base for the next.”
drqshadow · Metacritic ↗
“A joy to watch from start to end.”
Voodoo123 · Metacritic ↗
“sometimes the pacing is a tad too pedestrian”
kyle20ellis · Metacritic ↗
Read 26 Aug 2026 · confidence 100% · scored on the same 0-100 scale as a community score · how this works
Published reviews, not felt experience — a different question from the one above, and never mixed into the FlickFeel score.
“It's a scrumptious and dizzy-spirited lark, a what-the-hell-let's-rob-the-casino flick made with so much wit and brains and dazzle and virtuosity that the sheer speed and cleverness of the caper hits you like a shot of pure oxygen.”
Owen Gleiberman, Entertainment Weekly · 100
“Soderbergh's film will be remembered less for the (inspired) star casting than for being one expertly made piece of pure, unpretentious popcorn entertainment.”
Michael Dequina, Film Threat · 90
“Forget Oscar, Ocean's Eleven is the coolest damned thing around.”
Peter Travers, Rolling Stone · 90
“Depends on comic timing so precise that it seems weightless and all but effortless. And it depends on performers, of course, who can do a comic turn just as readily as a deft writer can turn a phrase. In that department, Ocean's Eleven is at least 11 times blessed.”
Joe Morgenstern, Wall Street Journal · 90
“One thoroughbred of a movie. Sleek, well-muscled and brisk, director Steven Soderbergh's newest offering delivers just about everything anyone could possibly want from filmed entertainment -- except deep thought.”
Michael O'Sullivan, Washington Post · 90
Scores from Metacritic and Rotten Tomatoes, read 24 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
“watching it is pretty enjoyable the whole way through”
DukesReaperabout 0–100% inread it ↗
“Ocean’s Eleven has a large-capacity motor, one that’s kept constantly chugging toward the finish line. There’s very little wasted motion here; every scene builds upon the last and, duly, provides a base for the next.”
drqshadowabout 0–100% inread it ↗
“A joy to watch from start to end.”
Voodoo123about 0–100% inread it ↗
“sometimes the pacing is a tad too pedestrian”
kyle20ellisabout 0–100% inread it ↗
“have the movie is an explanation of how the heist is going to happen (with JUST enough information left out for misdirects), then there is the actual heist, with some misdirects, and an explanation of the gaps, if not the heist itself, then a resolution. That's the formula for every heist movie ever, which is part of what makes it boring.”
Kamuraiabout 0–50% inread it ↗
“The pacing isn't weighed down by exposition; instead, the viewer discovers important history and surprises simultaneously as the characters on screen. The absolutely brilliant cast is effortlessly charming, whose antics and charisma fuel the movie to be a wonderful ride from start to finish. You can't help but feel welcomed into Danny Ocean's crew.”
The Movie Mobabout 0–100% inread it ↗
“I got two words for you, mini-bar. Literally fresh out of prison, Danny Ocean is busy setting up a seemingly impossible robbery. The plan, along with ten other experts he has roped in, is to rob the main vault at Las Vegas that houses the takings from the three main casinos. The original Ocean's 11 released in 1960 is an OK film, more watchable for the Vegas setting and the irrepressible cast of Rat Packers than for any purpose or structure. That this Steven Soderbergh remake trumps the or”
John Chardread it ↗
“This new version of the classic heist movie is of course slick: sharply written, acted competently, the stunts and special effects well-made. Still, I can’t say I liked it too much. It was sufficient to entertain, I suppose, but will quickly fade from memory. Then again, the action drama genre is not what I call home. You throw in some humor and you stand a chance of holding my attention, which it just about managed. The hero wanting to get his ex-back is easy to cause traps of stereotypical ”
no tags yet — rate this flick to drop some vibes ✨
Peter McGinnread it ↗