pulling the feels…
pulling the feels…
FLICKFEEL
70
from 24 comments
COMMUNITY
—
nobody yet
YOURS
—
…
FUN
10
how good a time it was
MEANINGFUL
66
how much it moved you
Two separate readings, not parts of the score — the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 24 comments (22 from Metacritic, 2 from TMDB reviews) — 9 of them described how it moves.
Thin evidence — the shape below rests on 9 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
“there's never any tension or interest in the characters”
JeBjBo · Metacritic ↗
“Alan Rickman (when he finally shows up after 80 minutes)”
JeBjBo · Metacritic ↗
“В заключительной сцене, самые сильные эмоции вызвал надушеный,летящий платочек, который Гренуй бросает в толпу,и в этот момент ему приходит понимание,что он сам, никому не нужен, аромат имеет свойство выветривания!”
Tatyana2007 · Metacritic ↗
“The plot moves fast, leaving no room for dull moments.”
Exceladeogun · Metacritic ↗
“Der Anfang gefiel mir bis einschließlich die Geschichte mit Dustin Hoffman endet.”
Craftnight405 · Metacritic ↗
“Danach zieht sich der Film und es wird eher langweilig.”
Craftnight405 · Metacritic ↗
Read 26 Aug 2026 · confidence 36% · scored on the same 0-100 scale as a community score · how this works
Published reviews, not felt experience — a different question from the one above, and never mixed into the FlickFeel score.
“This is a dark, dark, dark film, focused on an obsession so complete and lonely it shuts out all other human experience. You may not savor it, but you will not stop watching it, in horror and fascination.”
Roger Ebert, Chicago Sun-Times · 100
“Most horror movies try to show us the man inside the monster, so we'll empathize with his moral dilemmas or feel his suffering. Perfume: The Story of a Murderer shows us a man who is all monster, whose colossal amorality makes him a potential Messiah or menace to humanity.”
Lawrence Toppman, Charlotte Observer · 88
“The film is downright repulsive in places, and otherwise pushes the envelope for an art film, but it's a dazzling piece of filmmaking that wins us over with its boldness and artistry.”
William Arnold, Seattle Post-Intelligencer · 83
“Whishaw's oddly charismatic performance makes the despicable Grenouille into an almost sympathetic antihero. The rather astonishing finale will likely have audiences either howling in derision or ardently dissecting afterward. And it must have given the bluenoses at the MPAA fits.”
Marc Mohan, Portland Oregonian · 83
“The odd conclusion renders it somewhat oblique, but Perfume is a feast for the senses.”
Dan Jolin, Empire · 80
Scores from Metacritic and Rotten Tomatoes, read 26 Aug 2026. Quotes belong to their publications and link to the full reviews.
it plays better than it reviews — critics 58, the watch 70
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
“there's never any tension or interest in the characters”
JeBjBoabout 0–100% inread it ↗
“Alan Rickman (when he finally shows up after 80 minutes)”
JeBjBoabout 40–100% inread it ↗
“В заключительной сцене, самые сильные эмоции вызвал надушеный,летящий платочек, который Гренуй бросает в толпу,и в этот момент ему приходит понимание,что он сам, никому не нужен, аромат имеет свойство выветривания!”
Tatyana2007about 85–100% inread it ↗
“The plot moves fast, leaving no room for dull moments.”
Exceladeogunabout 0–100% inread it ↗
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