pulling the feels…
pulling the feels…
FLICKFEEL
65
from 27 comments
COMMUNITY
—
nobody yet
YOURS
—
…
FUN
2
how good a time it was
MEANINGFUL
65
how much it moved you
Two separate readings, not parts of the score — the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 27 comments (24 from Metacritic, 3 from TMDB reviews) — 13 of them described how it moves.
Thin evidence — the shape below rests on 13 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
“the ending was too tragic”
Dark Jedi · TMDB reviews ↗
“it took too long to get going”
Dark Jedi · TMDB reviews ↗
“a memorable final act”
drlowdon · Metacritic ↗
“Gets a little boring in the middle”
royalguy07 · Metacritic ↗
“the final 1/3rd is as good as advertised”
royalguy07 · Metacritic ↗
“its last 20 minutes”
alejandro970 · Metacritic ↗
Read 26 Aug 2026 · confidence 62% · scored on the same 0-100 scale as a community score · how this works
Published reviews, not felt experience — a different question from the one above, and never mixed into the FlickFeel score.
It reviews better than it plays — admired more than it is enjoyed.
“The reason Carrie is still held in such high regard as a horror classic is very simple: it's all in the sheer directorial bravado. De Palma at the top of his game.”
Andrew Collins, Empire · 100
“One of the most important movies of my life. It’s one of the two films, the other being Robert Altman’s Nashville, that made me want to be a critic. And that’s because Carrie did more than thrill, frighten, and captivate me; it sent a volt charge through my system that rewired my imagination, showing me everything that movies could be.”
Owen Gleiberman, Entertainment Weekly · 100
“The best scary-funny movie since "Jaws" - a teasing, terrifying, lyrical shocker, directed by Brian De Palma, who has the wickedest baroque sensibility at large in American movies. Pale, gravel-voiced Sissy Spacek gives a classic chameleon performance as a repressed high-school senior.”
Pauline Kael, The New Yorker · 100
“Carrie, on the other hand, is frighteningly feminine, a slap in the face of those charging De Palma with misogyny as fierce as the one Betty Buckley whales across Nancy Allen’s face.”
Eric Henderson, Slant Magazine · 100
“Carrie's ultimate triumph is spectacular beyond anything one is used to in this antique genre. Brian De Palma's sure and powerfully individual style, blending romance, darkish satirical humor and suspenseful spookiness, transforms what could have been dreary stuff. From its first shot, Carrie catches the mind, energetically shakes it and refuses to let go even after the end credits have rolled.”
Richard Schickel, Time · 100
Scores from Metacritic and Rotten Tomatoes, read 26 Aug 2026. Quotes belong to their publications and link to the full reviews.
it reviews better than it plays — critics 90, the watch 65
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
“the ending was too tragic”
Dark Jediabout 75–100% inread it ↗
“it took too long to get going”
Dark Jediabout 0–50% inread it ↗
“Carrie (2013), a remake of the 1976 classic based on Stephen King's novel, delivers a well-structured and engaging narrative with solid character development and effective visual elements. Despite some stiff acting and a few less believable scenes, the film’s direction, music, and special effects contribute to its appeal. Overall, it stands as an enjoyable watch, especially for fans of thrillers and the supernatural. Read the full review here: (Indonesian version : alunauwie.com) and (Englis”
Alunauwieread it ↗
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