pulling the feels…
pulling the feels…
FLICKFEEL
51
from 39 comments
COMMUNITY
—
nobody yet
YOURS
—
…
FUN
13
how good a time it was
MEANINGFUL
61
how much it moved you
Two separate readings, not parts of the score — the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 39 comments (39 from Metacritic) — 7 of them described how it moves.
Thin evidence — the shape below rests on 7 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
“une heure trois quarts d’inepties”
Broyax · Metacritic ↗
“tout le film est complètement à côté de la plaque, à deux de tension qui se regarde le nombril”
Broyax · Metacritic ↗
“The beginning (that apparently is so disconnected from the rest of the movie) is simply great”
NickTheCritick · Metacritic ↗
“the ending is fantastic too”
NickTheCritick · Metacritic ↗
“The ending (and it's incredible closing shot) might leave many frustrated, unfulfilled and confused”
Mahmus · Metacritic ↗
“very hard to even try to comprehend the story (especially the beginning)”
Shahmeer · Metacritic ↗
Read 28 Aug 2026 · confidence 57% · scored on the same 0-100 scale as a community score · how this works
Published reviews, not felt experience — a different question from the one above, and never mixed into the FlickFeel score.
It reviews better than it plays — admired more than it is enjoyed.
“One doesn't know how (auto)biographical any or all of this is, but there's a tartness to the telling of what amounts to a well-shaped series of anecdotes that bespeaks distant pain or, at least, wincing memory twisted into mordant comedy by time and sensibility.”
Todd McCarthy, Variety · 100
“See this film immediately.”
Joshua Rothkopf, Time Out · 100
“I found this beautifully crafted movie to be frequently hilarious, consistently surprising and rigged with spring-loaded narrative bombs, from its opening scene to its devastating final shot.”
Andrew O'Hehir, Salon · 100
“Writer-directors Joel and Ethan have seized the opportunity afforded by the Oscar-winning success of "No Country for Old Men," to make their most personal, most intensely Jewish film, a pitch-perfect comedy of despair that, against some odds, turns out to be one of their most universal as well.”
Kenneth Turan, Los Angeles Times · 100
“The story is at once hilarious and horrific, its significance both self-evident and opaque. The same could be said of most of the Coen brothers’ movies, in which human existence and the attempt to find meaning in it are equally futile, if also sometimes a lot of fun. (For us, at least.)”
A.O. Scott, The New York Times · 100
Scores from Metacritic and Rotten Tomatoes, read 28 Aug 2026. Quotes belong to their publications and link to the full reviews.
it reviews better than it plays — critics 89, the watch 51
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
“une heure trois quarts d’inepties”
Broyaxabout 0–100% inread it ↗
“tout le film est complètement à côté de la plaque, à deux de tension qui se regarde le nombril”
Broyaxabout 0–100% inread it ↗
“The beginning (that apparently is so disconnected from the rest of the movie) is simply great”
NickTheCritickabout 0–15% inread it ↗
“the ending is fantastic too”
NickTheCritickabout 75–100% inread it ↗
no tags yet — rate this flick to drop some vibes ✨