pulling the feelsβ¦
pulling the feelsβ¦
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Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 10 comments (6 from Metacritic, 4 from TMDB reviews) β none of them described how it moves.
So the shape below is not a measured arc. It is this title's overall sentiment held flat across the runtime, with the widest uncertainty band we draw. People talked about this title; they did not talk about how it paces.
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Read 28 Aug 2026 Β· confidence 0% Β· too thin for a score Β· how this works
Published reviews, not felt experience β a different question from the one above, and never mixed into the FlickFeel score.
βThat conscious absurdity is at the core of The Quick and the Dead. It's a rousingly grotesque, often wildly entertaining western horror-comedy, with co-producer and star Sharon Stone as a sexy lady gunslinger taking on all comers in the gunfight tournament from hell. [10 Feb 1995, p.C]β
Michael Wilmington, Chicago Tribune Β· 75
βApparently no one bothered to tell Stone the movie was a joke. She plays it without a hint of the tongue-in-cheek required, and totally against her strong star persona, so that she serves mostly as the unnecessary straight woman to all the giddy male comedy. [10 Feb 1995, p.3]β
William Arnold, Seattle Post-Intelligencer Β· 75
βMs. Stone's presence nicely underscores the genre-bending tactics of Sam Raimi, the cult director now doing his best to reinvent the B-movie in a spirit of self-referential glee. Mr. Raimi is limited by a sketch mentality, which means his jokes tend to be over long before his films end. But his tastes for visual mischief and crazy, ill-advised homage can still make for sly, sporadic fun.β
Janet Maslin, The New York Times Β· 70
βThe Quick and the Dead is a sly, savvy Hollywood sendup of Sergio Leone Westerns with Sharon Stone playing the Clint Eastwood righteous avenger role and Gene Hackman the heavy. You'd call it a spaghetti Western, but the budget is too high. Maybe we'd better think of it as Hollywood's first angel-hair-pasta Western. [10 Feb 1995, p.47]β
Jay Carr, Boston Globe Β· 63
βHip, jokey western from cult director Sam Raimi. Recommended as an antidote to anyone still suffering from Wyatt Earp hangover.β
Staff (Not Credited), TV Guide Magazine Β· 63
Scores from Metacritic and Rotten Tomatoes, read 28 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
βI enjoyed the film but I canβt see that I plan on watching it again. It is well made and has that distinctive Raimi style but I donβt like the concept, it really lacks engagement for me. Itβs basically letβs make a feature about wild west duelling and not much else. Whilst this is entertaining it is so forgettable. It is well acted and has good characters but without a story it just gets lost. Perfectly average.β
HellHoleHorrorread it β
βThis isn't the best western around, certainly. But people who say this is a bad film have something wrong with them. It isn't a bad film, but it isn't a particularly good film either. The acting isn't astonishing, with actors such as Richard Gere delivering the only really good performances. Sharon Stone's never really been all that good of an actress anyway (Casino, no matter how good it is, is no indication of the rest of her career), and in what seems a trend of his early roles, Leonardo DiCβ
Fozzyread it β
βGood solid cinematic foundations that are let down by patchy direction. The film feels like it deserves better but the script, the acting and the narrative all interweave like a sweater knitted by your Gran. Not made with any nod to fashion and something that would have looked odd at any point in history. Though a sweater is a sweater and it will keep you warm but that depends on the fabric. 65/100β
NicoDaFlagburnaread it β
βNice try from Raimi, but ultimately it creeps just above average. The Western is a tough genre to tackle in the modern age, more so when it's post Dances With Wolves and Unforgiven's masterclasses 101. But tackling both these challenges is nothing to the one which director Sam Raimi asks of the audience in his stab at the genre. A female gunslinger is here played by a Hollywood beauty, Sharon Stone, but she isn't right for the lead role. She obviously looks gorgeous and she broods and poβ
John Chardread it β
βNow I saw this in the cinema in 1995 and had somehow managed to completely forget all about it - until I saw it again just last week and realised why. It's not that it is awful, it's just that it is so very derivative and very, very dependant on Gene Hackman ("Herod") who walks a fine line between menace and ham in a none too convincing fashion. He is running a to-the-death gun slinging competition - almost like one of the chivalric jousts of old - with the winner having to face him in the finalβ
CinemaSerfread it β
β51/100 $123,000 is up for grabs to the last person standing in a gunfighter contest in a small, lawless town. An entertaining western that I thought would be far more entertaining. Once the premise is set, the end of the contest is obvious and inevitable so it just becomes a matter of what happens in between. In this case, not a whole lot. It was fun watching all the big names that show up in this film back when they were much younger ...DiCaprio was 21. Overall, an excellent example of exactβ
Dr Nostromoread it β
no tags yet β rate this flick to drop some vibes β¨